{"title":"Kyunghee Shin","description":"","products":[{"product_id":"porte-encens-en-porcelaine-blanche-a-decor-de-pivoine-de-kyunghee-shin","title":"White porcelain incense burner with peony design by Kyunghee Shin","description":"\u003cp\u003eThis white porcelain incense burner by contemporary Korean ceramist Kyunghee Shin is part of a tradition where beautiful objects accompany a gesture, a chosen moment, an attention to things. The purity of the material, combined with a superb sculpted peony decoration, gives this piece a presence of rare elegance. Used daily or as an object of contemplation, this incense burner invites you to slow down and enjoy a moment in which the gesture and the object naturally find their place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKyunghee Shin is a contemporary Korean ceramist who works with white porcelain from her studio in Suwon. Her work is characterized by a very fine attention to material and gesture, with pieces slowly shaped, in which form and decoration are born together. She draws inspiration from observing nature and flowers, notably the lotus, Korean peony, and cosmos, which she brings to life directly in the still-pliable porcelain through delicate and meticulous sculpting.\u003c\/p\u003e\n\u003cp\u003eHer objects are designed to be held, with a focus on softness, organic forms, and an enveloping presence. This approach echoes the heritage of baekja, Korean white porcelain, through an emphasis on surface, light, and a great restraint in decoration. Kyunghee develops a personal language, rooted in daily use and a direct relationship between the object, the hand, and the space it inhabits. Her work has been featured in numerous exhibitions, particularly in Korea and Japan. To learn more about Kyunghee's work, you can \u003ca rel=\"noopener\" title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\" target=\"_blank\"\u003eread our dedicated article\u003c\/a\u003e\u003ca title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is made of porcelain, hand-shaped and then fired at a very high temperature (around 1265 degrees), according to a demanding process that requires great mastery of the material. The piece consists of two distinct elements, a body and a lid, which give it a calm and balanced presence. The body, slightly flared and gently rounded, rests on small discreet feet that ensure perfect stability.\u003c\/p\u003e\n\u003cp\u003eThe lid extends this construction. The peony is sculpted directly into the still-pliable porcelain during the shaping process. Each petal is hand-modeled, with a precise gesture that allows no re-working and fully engages the volume. The flower is thus integrated into the form, naturally following its curves. The peony, deeply rooted in Korean culture, holds an important place in Kyunghee's work.\u003c\/p\u003e\n\u003cp\u003eThe porcelain reveals a very pure, fine whiteness, animated by a slight crackle that catches the light and highlights the depth of the surface. The ensemble is part of the sensibility of baekja, Korean white porcelain, where technical mastery and restraint in decoration give birth to pieces of great elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is designed to hold ash, which is gently smoothed to obtain a regular surface. This gesture prepares the object and sets a rhythm, a particular attention to the moment.\u003c\/p\u003e\n\u003cp\u003eThe incense can then be used in two ways. A stick can be planted vertically in the ash or laid flat, directly on the surface (for short sticks). During burning, the lid can be left open, or closed when the incense is laid flat on the ash.\u003c\/p\u003e\n\u003cp\u003eBurning gradually leaves a mark on the porcelain. It develops a patina, subtly changing its hue. This transformation is part of the object's use and aligns with the spirit of wabi-sabi, where time and use contribute to the beauty of the piece. To maintain its pristine whiteness, the lid can be left open during burning.\u003c\/p\u003e\n\u003cp\u003eOnce the incense has burned, the residues naturally blend with the ash. The ash can then be smoothed again, continuing the gesture. \u003cmeta charset=\"utf-8\"\u003eThe incense burner can also be used as a simple \u003cmeta charset=\"utf-8\"\u003eincense holder or as a decorative box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is presented in a beautiful Japanese paulownia wood box. It comes with a sachet of ash (from Japan), as well as a box of traditional Japanese incense with 145 short sticks (9cm long), each burning for approximately 15 minutes. This subtle incense, with its main note of calming and soothing sandalwood, evokes the atmosphere and tranquility of Kyoto temples. It was created by Kyukyodo, a venerable stationery and incense house established in Kyoto in 1663. These elements elegantly accompany Kyunghee's incense holder, forming a whole designed to gently integrate into daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace of manufacture:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuwon (South Korea)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 13cm - Height 5.5cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner alone: 285gr\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner: Porcelain; box: paulownia wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to use the incense burner with the lid closed when the incense is laid flat on the ash. The combustion will then gradually patinate the porcelain. This transformation is natural, but to maintain its pristine whiteness, it is necessary to leave the lid open, away from the smoke during the burning of the incense.\u003c\/p\u003e\n\u003cp\u003eIncense should always be placed on a stand and supervised; do not leave children unsupervised nearby. To light a stick, bring a flame to the end and wait for the incense to ignite, then gently blow to extinguish the flame. Make sure to position the stick upright in the incense holder so that the ashes fall into the container. Extinguish the incense if you need to leave. Keep out of reach of children.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"Collection Kyunghee Shin\" href=\"https:\/\/www.atelierikiwa.com\/collections\/kyunghee-shin\" target=\"_blank\"\u003eDiscover Kyunghee Shin's collection\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 13934e4d-51b3-41d5-a556-0b18eef64f84 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":55613374038356,"sku":"CK-SE-10-06","price":690.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/brule-encens-coreen-baekja-porcelaine-blanche-contemporaine-shin-kyung-hee-atelier-ikiwa-14.jpg?v=1776976500"},{"product_id":"porte-encens-en-porcelaine-blanche-a-decor-de-pivoine-de-kyunghee-shin-1","title":"Kyunghee Shin's White Porcelain Incense Holder with Peony Decoration","description":"\u003cp\u003eThis white porcelain incense burner by contemporary Korean ceramist Kyunghee Shin is part of a tradition where beautiful objects accompany a gesture, a chosen moment, an attention paid to things. The purity of the material, combined with a superb sculpted peony decoration, gives this piece a presence of rare elegance. Used daily or as an object of contemplation, this incense burner invites you to slow down and enjoy a moment in which gesture and object naturally find their place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKyunghee Shin is a contemporary Korean ceramist who works with white porcelain from her studio in Suwon. Her work is characterized by a very fine attention to material and gesture, with pieces slowly shaped, in which form and decoration emerge together. She draws her inspiration from the observation of nature and flowers, notably the lotus, the Korean peony, and the cosmos, which she brings to life directly in the still-pliable porcelain through delicate and meticulous sculptural work.\u003c\/p\u003e\n\u003cp\u003eHer objects are designed to be held, with a focus on softness, organic forms, and an enveloping presence. This approach echoes the heritage of baekja, Korean white porcelain, through attention to surface, light, and a great restraint in decoration. Kyunghee develops a personal language, rooted in daily use and a direct relationship between the object, the hand, and the space in which it is placed. Her work has been the subject of numerous exhibitions, particularly in Korea and Japan. To discover more about Kyunghee's work, you can \u003ca rel=\"noopener\" title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\" target=\"_blank\"\u003eread our dedicated article\u003c\/a\u003e\u003ca title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is made of porcelain, hand-shaped and then fired at a very high temperature (around 1265 degrees), following a demanding process that requires great mastery of the material. The piece consists of two distinct elements, a body and a lid, all in roundness and softness, which give it a calm and balanced presence. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe body rests on a small heel that ensures perfect stability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe lid extends this construction. The peony is sculpted directly into the still-pliable porcelain during the shaping process. Each petal is hand-modeled with a precise gesture that allows no re-working and fully engages the volume. The flower is thus integrated into the form, naturally accompanying its curves. The peony, deeply rooted in Korean culture, holds an important place in Kyunghee's work.\u003c\/p\u003e\n\u003cp\u003eThe porcelain reveals a very pure, fine whiteness, enlivened by a slight crackle that catches the light and highlights the depth of the surface. The whole is in line with the sensibility of baekja, Korean white porcelain, where technical mastery and restraint in decoration give birth to pieces of great elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is designed to hold ash, which is carefully smoothed to obtain an even surface. This gesture prepares the object and sets a rhythm, a special attention to the moment.\u003c\/p\u003e\n\u003cp\u003eIncense can then be used in two ways. A stick can be planted vertically in the ash or placed flat directly on the surface (for short sticks). During burning, the lid can be left open, or closed when the incense is laid flat on the ash.\u003c\/p\u003e\n\u003cp\u003eBurning gradually leaves a mark on the porcelain. It develops a patina, slightly changing its shade. This transformation is part of the object's use and is in line with a wabi-sabi spirit, where time and use contribute to the beauty of the piece. To maintain an intact whiteness, the lid can be left open during burning.\u003c\/p\u003e\n\u003cp\u003eOnce the incense has burned out, the residues naturally mix with the ash. This can be smoothed again, continuing the gesture. \u003cmeta charset=\"utf-8\"\u003eThe incense burner can also be used as a simple \u003cmeta charset=\"utf-8\"\u003eincense holder or as a decorative box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is presented in a beautiful Japanese paulownia wood box. It comes with a sachet of ash (origin: Japan), as well as a box of traditional Japanese incense with 145 short sticks (9cm long), each burning for about 15 minutes. This subtle incense, whose main note is sandalwood, calming and soothing, evokes the atmosphere and tranquility of Kyoto's temples. It was created by Kyukyodo, a venerable stationery and incense house established in Kyoto in 1663. These elements elegantly accompany Kyunghee's incense holder, forming a whole designed to gently integrate into daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace of manufacture:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuwon (South Korea)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 9.8cm - Height 5.5cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner alone: 191gr\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner: Porcelain; box: Paulownia wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to use the incense burner with the lid closed when the incense is placed flat on the ash. The burning will then gradually patina the porcelain. This transformation is natural, but to maintain an intact whiteness, it is therefore necessary to leave the lid open, away from the smoke during the burning of the incense.\u003c\/p\u003e\n\u003cp\u003eIncense being burned should always be placed on a support and monitored; do not leave children unsupervised nearby. To light a stick, bring a flame to the end and wait for the incense to ignite, then gently blow to extinguish the flame. Make sure to position the stick upright on the incense holder so that the ashes fall into the container. Extinguish the incense if you need to leave. Keep out of reach of children.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"Kyunghee Shin Collection\" href=\"https:\/\/www.atelierikiwa.com\/collections\/kyunghee-shin\" target=\"_blank\"\u003eDiscover the Kyunghee Shin collection\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 13934e4d-51b3-41d5-a556-0b18eef64f84 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":55763022545236,"sku":"CK-SE-10-04","price":470.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/brule-encens-coreen-baekja-porcelaine-blanche-contemporaine-shin-kyung-hee-atelier-ikiwa-26.jpg?v=1778418418"},{"product_id":"porte-encens-en-porcelaine-blanche-a-decor-de-papillons-de-kyunghee-shin-1","title":"White porcelain incense burner with butterfly design by Kyunghee Shin","description":"\u003cp\u003eThis small white porcelain incense burner by contemporary Korean ceramist Kyunghee Shin is part of a tradition where beautiful objects accompany a gesture, a chosen moment, an attention to things. The purity of the material, combined with a delicate sculpted butterfly motif, gives this piece a rare elegance. Used daily or as an object of contemplation, this incense burner invites you to slow down and enjoy a moment where gesture and object naturally find their place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKyunghee Shin is a contemporary Korean ceramist who works with white porcelain from her workshop in Suwon. Her work is characterized by a very fine attention to material and gesture, with pieces slowly shaped, where form and decoration are born together. She draws inspiration from observing nature and flowers, particularly the lotus, Korean peony, and cosmos, which she brings to life directly in the still-pliable porcelain through delicate and meticulous sculpting. \u003c\/p\u003e\n\u003cp\u003eHer objects are designed to be held, with a focus on softness, organic forms, and an enveloping presence. This approach echoes the heritage of baekja, Korean white porcelain, through an emphasis on surface, light, and a great restraint in decoration. Kyunghee develops a personal language, rooted in daily use and a direct relationship between the object, the hand, and the space it inhabits. Her work has been the subject of numerous exhibitions, particularly in Korea and Japan. To learn more about Kyunghee's work, you can \u003ca rel=\"noopener\" title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\" target=\"_blank\"\u003eread our dedicated article\u003c\/a\u003e\u003ca title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is made of porcelain, hand-shaped and then fired at a very high temperature (around 1265 degrees Celsius), following a demanding process that requires great mastery of the material. The piece consists of two distinct elements, a body and a lid, which give it a calm and balanced presence. The body, with its very soft roundness, rests on small feet that ensure perfect stability.\u003c\/p\u003e\n\u003cp\u003eThe lid extends this construction. The butterfly is sculpted directly into the still-pliable porcelain during shaping. It is hand-modeled with a precise gesture that allows no re-working, fully engaging the volume, which is thus integrated into the form whose curves it naturally accompanies. \u003cmeta charset=\"utf-8\"\u003eThe butterfly, very present in Korean imagination and decorative arts, plays an important role in Kyunghee's work.\u003c\/p\u003e\n\u003cp\u003eThe porcelain reveals a very pure, fine whiteness, animated by a slight crackle that catches the light and highlights the depth of the surface. The whole is part of the sensibility of baekja, Korean white porcelain, where technical mastery and decorative restraint give rise to pieces of great elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is designed to hold ash, which is carefully smoothed to create an even surface. This gesture prepares the object and establishes a rhythm, a particular attention to the moment.\u003c\/p\u003e\n\u003cp\u003eIncense can then be used in two ways. A stick can be placed vertically in the ash or laid flat directly on the surface (for short sticks). During burning, the lid can be left open, or closed when the incense is laid flat on the ash.\u003c\/p\u003e\n\u003cp\u003eBurning gradually leaves a trace on the porcelain. It develops a patina, subtly changing its hue. This transformation is part of the object's use and aligns with a wabi-sabi aesthetic, where time and use contribute to the beauty of the piece. To maintain its pristine whiteness, the lid can be left open during burning.\u003c\/p\u003e\n\u003cp\u003eOnce the incense has burned, the residues naturally mix with the ash. This can be smoothed again, continuing the gesture. \u003cmeta charset=\"utf-8\"\u003eThe incense burner can also be used as a \u003cmeta charset=\"utf-8\"\u003esimple incense holder or as a decorative box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is presented in a beautiful Japanese paulownia wood box. It comes with a sachet of ash (origin: Japan) and a box of 145 traditional short Japanese incense sticks (length 9cm), each burning for approximately 15 minutes. This subtle, calming, and soothing incense, with its main note of sandalwood, evokes the atmosphere and tranquility of Kyoto's temples. It was created by Kyukyodo, a venerable stationery and incense house established in Kyoto in 1663. These elements elegantly accompany Kyunghee's incense burner, forming a harmonious whole designed to gently integrate into daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace of manufacture:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuwon (South Korea)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 7cm - Height 65.5cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner alone: 91gr\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner: Porcelain; box: Paulownia wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to use the incense burner with the lid closed when the incense is placed flat on the ash. The burning will then gradually patinate the porcelain. This transformation is natural, but to maintain a pristine whiteness, it is therefore necessary to leave the lid open, away from the smoke during the burning of the incense.\u003c\/p\u003e\n\u003cp\u003eIncense lit must always be placed on a support and monitored; do not leave children unsupervised nearby. To light a stick, bring a flame to the tip and wait for the incense to ignite, then gently blow to extinguish the flame. Make sure to position the stick upright on the incense holder so that the ashes fall into the container. Extinguish the incense if you need to leave. Keep out of reach of children.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"Kyunghee Shin Collection\" href=\"https:\/\/www.atelierikiwa.com\/collections\/kyunghee-shin\" target=\"_blank\"\u003eDiscover the Kyunghee Shin collection\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 13934e4d-51b3-41d5-a556-0b18eef64f84 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":55763053281620,"sku":"CK-SE-08-02","price":410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/brule-encens-coreen-baekja-porcelaine-blanche-contemporaine-shin-kyung-hee-atelier-ikiwa-55.jpg?v=1778419270"},{"product_id":"porte-encens-en-porcelaine-blanche-a-decor-de-papillons-de-kyunghee-shin-2","title":"White porcelain incense burner with butterfly decoration by Kyunghee Shin","description":"\u003cp\u003eThis white porcelain incense burner by contemporary Korean ceramist Kyunghee Shin is part of a tradition where beautiful objects accompany a gesture, a chosen moment, an attention paid to things. The purity of the material, combined with a superb sculpted butterfly decoration, gives this piece a rare elegance. Used daily or as an object of contemplation, this incense burner invites you to slow down and enjoy a moment in which gesture and object naturally find their place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKyunghee Shin is a contemporary Korean ceramist who works with white porcelain from her studio in Suwon. Her work is characterized by a very fine attention to material and gesture, with pieces slowly shaped, in which form and decoration are born together. She draws inspiration from observing nature and flowers, particularly the lotus, Korean peony, and cosmos, which she brings to life directly in the still-pliable porcelain through delicate and meticulous sculpting.\u003c\/p\u003e\n\u003cp\u003eHer objects are designed to be held, with a pursuit of softness, organic forms, and an enveloping presence. This approach echoes the heritage of baekja, Korean white porcelain, through an attention to surface, light, and great restraint in decoration. Kyunghee develops a personal language, rooted in daily use and a direct relationship between the object, the hand, and the space in which it is placed. Her work has been the subject of numerous exhibitions, particularly in Korea and Japan. To discover more about Kyunghee's work, you can \u003ca rel=\"noopener\" title=\"Kyunghee Shin, Korean white porcelain article\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\" target=\"_blank\"\u003eread our dedicated article\u003c\/a\u003e\u003ca title=\"Kyunghee Shin, Korean white porcelain article\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is made of porcelain, hand-shaped and then fired at a very high temperature (around 1265 degrees), according to a demanding process that requires great mastery of the material. The piece consists of two distinct elements, a body and a lid, which give it a calm and balanced presence. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe body, with its very soft roundness, rests on small feet that ensure perfect stability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe lid extends this construction. The butterflies are sculpted directly into the still-pliable porcelain during shaping. Each butterfly is modeled by hand, with a precise gesture that allows no re-working, and that fully engages the volume. The butterflies are thus integrated into the form, naturally accompanying its curves. \u003cmeta charset=\"utf-8\"\u003eThe butterfly, very present in Korean imagination and decorative arts, holds an important place in Kyunghee's work.\u003c\/p\u003e\n\u003cp\u003eThe porcelain reveals a very pure, fine whiteness, animated by a slight crackle that catches the light and highlights the depth of the surface. The whole is part of the sensibility of baekja, Korean white porcelain, where technical mastery and restraint of decoration give birth to pieces of great elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is designed to hold ash, which you take the time to delicately smooth to obtain a regular surface. This gesture prepares the object and establishes a rhythm, a particular attention to the moment.\u003c\/p\u003e\n\u003cp\u003eIncense can then be used in two ways. A stick can be planted vertically in the ash or laid flat, directly on the surface (for short sticks). During burning, the lid can be left open, or closed when the incense is laid flat on the ash.\u003c\/p\u003e\n\u003cp\u003eThe burning gradually leaves a trace on the porcelain. It develops a patina, subtly changing its hue. This transformation is part of the object's use and aligns with a wabi-sabi spirit, where time and use contribute to the beauty of the piece. To maintain an pristine whiteness, the lid can be left open during burning.\u003c\/p\u003e\n\u003cp\u003eOnce the incense has burned out, the residue naturally blends with the ash. This can be smoothed again, continuing the gesture. The incense burner can also be used as a \u003cmeta charset=\"utf-8\"\u003esimple incense holder or as a decorative box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is presented in a beautiful Japanese paulownia wood box. It comes with a sachet of ash (origin: Japan), as well as a box of traditional Japanese incense containing 145 short sticks (9cm long), each burning for approximately 15 minutes. This subtle incense, whose main note is sandalwood, calming and soothing, evokes the atmosphere and tranquility of Kyoto's temples. It was created by Kyukyodo, a venerable stationery and incense house established in Kyoto in 1663. These elements elegantly accompany Kyunghee's incense burner, forming a cohesive set designed to gently integrate into daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace of manufacture:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuwon (South Korea)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 7.5cm - Height 6.5cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner alone: 120gr\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner: Porcelain; box: Paulownia wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to use the incense burner with the lid closed when the incense is placed flat on the ash. The burning will then gradually patina the porcelain. This transformation is natural, but to maintain an pristine whiteness, it is necessary to leave the lid open, away from the smoke during the burning of the incense.\u003c\/p\u003e\n\u003cp\u003eIncense must always be placed on a support and monitored; do not leave children unsupervised nearby. To light a stick, hold a flame to the end and wait for the incense to ignite, then gently blow to extinguish the flame. Make sure to position the stick upright on the incense burner so that the ashes fall into the container. Extinguish the incense if you need to leave. Keep out of reach of children.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"Kyunghee Shin Collection\" href=\"https:\/\/www.atelierikiwa.com\/collections\/kyunghee-shin\" target=\"_blank\"\u003eDiscover the Kyunghee Shin collection\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 13934e4d-51b3-41d5-a556-0b18eef64f84 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":55763222954324,"sku":"CK-SE-08-03","price":510.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/brule-encens-coreen-baekja-porcelaine-blanche-contemporaine-shin-kyung-hee-atelier-ikiwa-45.jpg?v=1778419813"},{"product_id":"porte-encens-en-porcelaine-blanche-a-decor-de-cosmos-de-kyunghee-shin","title":"White porcelain incense burner with cosmos flower decoration by Kyunghee Shin","description":"\u003cp\u003eThis white porcelain incense burner by contemporary Korean ceramist Kyunghee Shin is part of a tradition where beautiful objects accompany a gesture, a chosen moment, an attention to things. The purity of the material, combined with a superb sculpted cosmos flower motif, gives this piece a rare elegance. Whether used daily or as an object of contemplation, this incense burner invites you to slow down and enjoy a moment where gesture and object naturally find their place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKyunghee Shin is a contemporary Korean ceramist who works with white porcelain from her workshop in Suwon. Her work is characterized by a very fine attention to material and gesture, with pieces slowly shaped, where form and decoration are born together. She draws her inspiration from observing nature and flowers, particularly the lotus, Korean peony, and cosmos, which she brings to life directly in the still-pliable porcelain through delicate and meticulous sculptural work.\u003c\/p\u003e\n\u003cp\u003eHer objects are designed to be held, with a pursuit of softness, organic forms, and an enveloping presence. This approach echoes the legacy of baekja, Korean white porcelain, through an attention to surface, light, and a great restraint in decoration. Kyunghee develops a personal language, rooted in daily use and a direct relationship between the object, the hand, and the space in which it exists. Her work has been the subject of numerous exhibitions, particularly in Korea and Japan. To learn more about Kyunghee's work, you can \u003ca rel=\"noopener\" title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\" target=\"_blank\"\u003eread our dedicated article\u003c\/a\u003e\u003ca title=\"Article Kyunghee Shin, Korean white porcelain\" href=\"https:\/\/www.atelierikiwa.com\/blogs\/histoires\/dans-l-atelier-de-kyunghee-la-porcelaine-blanche-et-le-temps-du-geste\"\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is made of porcelain, hand-shaped and then fired at very high temperatures (around 1265 degrees Celsius), a demanding process that requires great mastery of the material. The piece consists of two distinct elements, a body and a lid, both round and soft, giving it a calm and balanced presence. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe body rests on a small foot that ensures perfect stability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe lid extends this construction and nestles into the body. The cosmos flower is sculpted directly into the still-pliable porcelain during the shaping process. Each petal is hand-modeled with a precise gesture that allows for no rework, fully engaging the volume. The flower is thus integrated into the form, naturally accompanying its curves. \u003cmeta charset=\"utf-8\"\u003eThe cosmos flower, closely linked to autumn landscapes in Korea, plays an important role in Kyunghee's work.\u003c\/p\u003e\n\u003cp\u003eThe porcelain reveals a very pure, fine whiteness, animated by a slight crackle that catches the light and highlights the depth of the surface. The whole is part of the sensibility of baekja, Korean white porcelain, where technical mastery and restraint in decoration give rise to pieces of great elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is designed to hold ash, which is carefully smoothed to obtain an even surface. This gesture prepares the object and sets a rhythm, a particular attention to the moment.\u003c\/p\u003e\n\u003cp\u003eIncense can then be used in two ways. A stick can be planted vertically in the ash or laid flat directly on the surface (for short sticks). During burning, the lid can be left open or closed when the incense is placed flat on the ash.\u003c\/p\u003e\n\u003cp\u003eBurning gradually leaves a trace on the porcelain. It develops a patina, subtly changing its hue. This transformation is part of the object's use and is in line with the wabi-sabi spirit, where time and use contribute to the beauty of the piece. To preserve its pristine whiteness, the lid can be left open during burning.\u003c\/p\u003e\n\u003cp\u003eOnce the incense has burned, the residue naturally mixes with the ash. This can be smoothed again, continuing the gesture. The incense burner can also be used as a simple incense holder or as a decorative box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis incense burner is presented in a beautiful Japanese paulownia wood box. It comes with a sachet of ash (origin: Japan), as well as a box of traditional Japanese incense with 145 short sticks (length 9cm), each burning for approximately 15 minutes. This subtle incense, with sandalwood as its main note, calming and soothing, evokes the atmosphere and tranquility of Kyoto temples. It was created by Kyukyodo, a venerable stationery and incense house founded in Kyoto in 1663. These elements elegantly accompany Kyunghee's incense burner, forming a complete set designed to seamlessly integrate into daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace of manufacture:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuwon (South Korea)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 9.7cm - Height 6.7cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner alone: 136gr\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncense burner: Porcelain; box: paulownia wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is possible to use the incense burner with the lid closed when the incense is laid flat on the ash. The burning will then gradually patinate the porcelain. This transformation is natural, but to preserve an intact whiteness, it is therefore necessary to leave the lid open, away from the smoke during the burning of the incense.\u003c\/p\u003e\n\u003cp\u003eIncense must always be placed on a support and monitored; do not leave children unsupervised nearby. To light a stick, bring a flame to the end and wait for the incense to ignite, then gently blow to extinguish the flame. Make sure to position the stick straight on the incense burner so that the ashes fall into the container. Extinguish the incense if you need to leave. Keep out of reach of children.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"Kyunghee Shin Collection\" href=\"https:\/\/www.atelierikiwa.com\/collections\/kyunghee-shin\" target=\"_blank\"\u003eDiscover the Kyunghee Shin collection\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 13934e4d-51b3-41d5-a556-0b18eef64f84 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":55764024000852,"sku":"CK-SE-08-01","price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/brule-encens-coreen-baekja-porcelaine-blanche-contemporaine-shin-kyung-hee-atelier-ikiwa-64.jpg?v=1778423718"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/collections\/kyunghee-shin-baekja-porcelaine-blanche-coreenne-porte-encens-atelier-ikiwa.jpg?v=1778155005","url":"https:\/\/www.atelierikiwa.com\/en\/collections\/kyunghee-shin.oembed","provider":"Atelier Ikiwa","version":"1.0","type":"link"}