{"title":"SEIJAKU: THE SHARE OF SILENCE","description":"","products":[{"product_id":"petite-assiette-en-ceramique-de-shu-hirai","title":"Small Ceramic Plate by Shu Hirai","description":"\u003cp\u003eA small plate with a beautiful textured patina and a striking muted blue. This is the work of artisan Shu Hirai for his Kakugi series, who to achieve this unique blue and texture worked around an addition of cobalt blown with a straw applied after an initial firing. An additional white glaze was applied in small strokes with a sponge to create this textured effect.\u003c\/p\u003e\n\u003cp\u003eThe result is a precious object for everyday use, to put a small pastry with tea for example, or for decoration, a wabi sabi spirit that will bring all the delicate beauty of Japanese craftsmanship into your home. \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e\u003cspan style=\"color: #647d84;\" data-mce-style=\"color: #647d84;\"\u003ePLACE OF MANUFACTURE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eJAPAN\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e\u003cspan style=\"color: #647d84;\" data-mce-style=\"color: #647d84;\"\u003eDIMENSIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHeight 2cm - Diameter 12cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan style=\"color: #647d84;\" data-mce-fragment=\"1\" data-mce-style=\"color: #647d84;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWEIGHT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e102gr\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e\u003cspan style=\"color: #647d84;\" data-mce-style=\"color: #647d84;\"\u003eMATERIALS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCeramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #647d84;\" data-mce-style=\"color: #647d84;\"\u003eCARE INSTRUCTIONS\u003c\/span\u003e\u003c\/strong\u003eTo be handled with care. Rub gently with a soft cloth and a little water if necessary. No dishwasher, oven, microwave.\u003c\/p\u003e\n\u003cp\u003eThis object keeps in memory the hand of the craftsman who designed it with patience. It will accompany your daily life while contributing to the preservation of unique craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThe shipping costs will be calculated and added at the finalization of the basket.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":41582876164279,"sku":"CJ-TI-10-053","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/products\/CJ-TI-10-054-petite-assiette-ceramique-cobalt-bleu-artisanat-japonais-contemporain-atelier-ikiwa.jpg?v=1668945876"},{"product_id":"sekimori-13-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #13, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the 16th century, during the time of Sen no Rikyū, the founding master of the tea ceremony. Placed at the entrance to a space, it serves as an invitation to pause \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it marks. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) cord, embodies ma (interval) and yohaku (the beauty of emptiness), two essential concepts of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a space one cherishes, this stone becomes a touchstone of calm, a breath in the everyday.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding cords inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the connection between material, ritual, and interiority, in an approach where every gesture becomes an act of awareness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for its balanced shape and the softness of its surface, naturally polished by the sea. It is wrapped in a wara (rice straw) cord, braided entirely by hand using the same technique as that of the shimenawa in Shinto shrines. The wara, derived from rice straw that has been carefully dried, beaten, and then combed, features a fiber that is both structured and soft, with a natural, warm feel; it has been used since ancient times in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the piece a peaceful presence, marked by balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece; the stone was chosen for its singularity, and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eFormat: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including cord): Length 7.8cm - Width 6cm - Height 9cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 243g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) cord\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood storage box, the lid of which can serve as a display base, accompanied by a booklet in Japanese describing the artist's intention (a translation will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272038097236,"sku":"PJ-CH-07-61","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N13-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790277109"},{"product_id":"sekimori-14-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #14, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause their steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) cord, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a place one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, touched by the meditative dimension of contact with rice straw, she began braiding ropes inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the bond between matter, ritual, and interiority, in an approach where every gesture becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Technique and Decor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for the balance of its shape and the softness of its surface, naturally polished by the sea. It is surrounded by a wara (rice straw) cord, braided entirely by hand using the same technique as the shimenawa of Shinto shrines. The wara, made from carefully dried, beaten, and combed rice straw, features a fiber that is both structured and soft, with a natural, warm feel, and has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the piece a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, as the stone was chosen for its singularity and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including cord): Length 8.1cm - Width 5cm - Height 9.5cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 202g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) cord\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272113529172,"sku":"PJ-CH-07-62","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N14-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790277627"},{"product_id":"sekimori-15-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #15, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause their steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This sekimori by Eri (WARA), with its polished stone and rice straw (wara) rope, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a space one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding ropes inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the connection between material, ritual, and inner life, in an approach where every movement becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is surrounded by a rope of wara (rice straw), braided entirely by hand using the same technique as that of the shimenawa in Shinto shrines. The wara, made from rice straw that has been carefully dried, beaten, and then combed, features a fiber that is both structured and soft, with a natural, warm feel; it has been used since ancient times in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the object a peaceful presence, marked by balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece; the stone was chosen for its singularity, and the braiding bears the mark of the artist’s hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see the image with the hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including rope): Length 10.5cm - Width 5.2cm - Height 4.7cm\u003c\/p\u003e\n\u003cp\u003eWeight (without the box): 170g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara rope (rice straw)\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a protective paulownia wood box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist’s intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272118903124,"sku":"PJ-CH-07-63","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N15-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790277731"},{"product_id":"sekimori-16-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #16, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause their steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) cord, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a space one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of contact with rice straw, she began weaving cords inspired by shimenawa—those sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where every gesture becomes an act of consciousness. Through the weaving of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for the balance of its shape and the softness of its surface, naturally polished by the sea. It is surrounded by a wara (rice straw) cord, entirely hand-woven using the same technique as the shimenawa of Shinto shrines. The wara, made from rice straw that is carefully dried, beaten, and then combed, presents a fiber that is both structured and soft, with a natural, warm feel; it has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the piece a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, as the stone was chosen for its singularity and the weaving bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including cord): Length 8.9cm - Width 7.5cm - Height 9.7cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 400g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) cord\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a protective paulownia wood box, the lid of which can serve as a display base, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272174805332,"sku":"PJ-CH-07-64","price":272.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N16-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790278706"},{"product_id":"sekimori-17-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #17, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it serves as an invitation to pause one’s step \u003cmeta charset=\"utf-8\"\u003eand to respect the boundary it denotes. This sekimori by Eri (WARA), with its polished stone and rice straw (wara) cord, embodies ma (interval) and yohaku (the beauty of emptiness), two essential concepts of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a place that one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding cords inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where every movement becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the Shizuoka coast, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is wrapped in a wara (rice straw) cord, braided entirely by hand using the same technique as that of Shinto shrine shimenawa. The wara, derived from rice straw that has been carefully dried, beaten, and then combed, features a fiber that is both structured and soft, with a natural and warm feel, and has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the object a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece; the stone was chosen for its singularity, and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including cord): Length 9cm - Width 6.5cm - Height 7cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 326g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) cord\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272202461524,"sku":"PJ-CH-07-65","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N17-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790278811"},{"product_id":"sekimori-18-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #18, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it serves as an invitation to pause one’s step \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it denotes. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) rope, embodies ma (interval) and yohaku (the beauty of emptiness), two essential concepts of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a space one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding ropes inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the connection between material, ritual, and interiority, in an approach where every gesture becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the Shizuoka coastline, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is encircled by a wara (rice straw) rope, braided entirely by hand using the same technique as that of the shimenawa in Shinto shrines. Wara, derived from rice straw that has been carefully dried, beaten, and then combed, presents a fiber that is both structured and soft, with a natural and warm feel; it has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the piece a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, as the stone was chosen for its singularity and the braiding bears the mark of the artist’s hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including rope): Length 9.4cm - Width 7.4cm - Height 6.5cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 300g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) rope\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a protective paulownia wood box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272242241876,"sku":"PJ-CH-07-66","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N18-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790278889"},{"product_id":"sekimori-19-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #19, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause their steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) rope, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics that evoke the space between things, the silence that gives meaning to presence. In a place that one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding ropes inspired by shimenawa, the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary, and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where every gesture becomes an act of awareness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is surrounded by a rope of wara (rice straw), braided entirely by hand using the same technique as that of the shimenawa of Shinto shrines. The wara, made from carefully dried, beaten, and combed rice straw, features a fiber that is both structured and soft, with a natural, warm feel, and has been used since ancient times in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the whole a peaceful presence, marked by balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece; the stone was chosen for its singularity and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including rope): Length 9.5cm - Width 6.9cm - Height 4.8cm\u003c\/p\u003e\n\u003cp\u003eWeight (without the box): 232g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) rope\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272245682516,"sku":"PJ-CH-07-67","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N19-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790278991"},{"product_id":"sekimori-20-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #20, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause their steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This Eri (WARA) sekimori, with its polished stone and rice straw (wara) cord, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a space one cherishes, this stone becomes a marker of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding cords inspired by shimenawa, the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary, and founded her brand, WARA. Her work explores the connection between material, ritual, and inner life, in an approach where every gesture becomes an act of awareness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Ornamentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the Shizuoka coast, was selected for the balance of its shape and the softness of its surface, naturally polished by the sea. It is surrounded by a cord made of wara (rice straw), braided entirely by hand using the same technique as the shimenawa of Shinto shrines. The wara, derived from rice straw that is carefully dried, beaten, and then combed, presents a fibre that is both structured and soft, with a natural, warm feel, and has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the piece a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, as the stone was chosen for its singularity and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eFormat: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including cord): Length 8.7cm - Width 7.2cm - Height 8.2cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 283g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) cord\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272403919188,"sku":"PJ-CH-07-68","price":272.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N20-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790279073"},{"product_id":"sekimori-22-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #22, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause one's steps \u003cmeta charset=\"utf-8\"\u003eand respect the boundary it indicates. This sekimori by Eri (WARA), with its polished stone and rice straw (wara) rope, embodies ma (interval) and yohaku (the beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a place that one cherishes, this stone becomes a landmark of calm, a breath in daily life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding ropes inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where every gesture becomes an act of awareness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and Decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the coast of Shizuoka, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is wrapped in a wara (rice straw) rope, braided entirely by hand using the same technique as the shimenawa of Shinto shrines. The wara, made from rice straw that has been carefully dried, beaten, and then combed, features a fiber that is both structured and soft, with a natural, warm feel; it has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the object a peaceful presence, marked by balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, the stone having been chosen for its singularity and the braiding bearing the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including rope): Length 9cm - Width 6.5cm - Height 4.5cm\u003c\/p\u003e\n\u003cp\u003eWeight (without the box): 201g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) rope\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272483545428,"sku":"PJ-CH-07-70","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N22-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790279317"},{"product_id":"sekimori-24-pierre-et-corde-en-paille-de-riz-wara","title":"Sekimori #24, stone and rice straw (wara) rope","description":"\u003cp\u003eThe sekimori-ishi, or guardian stone, finds its origins in the Japanese tea gardens of the era of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance of a space, it invites one to pause and respect the boundary it indicates. This sekimori by Eri (WARA), with its polished stone and rice straw (wara) rope, embodies ma (interval) and yohaku (the beauty of emptiness), two essential concepts of Japanese aesthetics evoking the space between things—the silence that gives meaning to presence. In a place one cherishes, this stone becomes a landmark of calm, a breath in the everyday.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of working with rice straw, she began braiding ropes inspired by shimenawa—the sacred ropes of Shinto shrines that mark the boundary between the sacred and the ordinary—and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where every gesture becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of the gesture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique and finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stone, chosen by Eri on the Shizuoka coast, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is encircled by a wara (rice straw) rope, braided entirely by hand using the same technique as the shimenawa of Shinto shrines. Wara, derived from rice straw that is carefully dried, beaten, and then combed, features a fiber that is both structured and soft, with a natural, warm feel; it has been used since antiquity in Shinto rituals and seasonal practices. Its matte texture and golden hue, which evoke the warmth of daily life and the rhythm of the seasons, give the object a peaceful presence, imbued with balance and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis sekimori is a unique piece, as the stone was chosen for its singularity and the braiding bears the mark of the artist's hand.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlace of creation: Shizuoka Prefecture, Japan\u003c\/p\u003e\n\u003cp\u003eSize: Medium (see image with hand for scale)\u003c\/p\u003e\n\u003cp\u003eDimensions (including rope): Length 9.5cm - Width 7.7cm - Height 6.5cm\u003c\/p\u003e\n\u003cp\u003eWeight (without box): 347g\u003c\/p\u003e\n\u003cp\u003eMaterials: natural stone, wara (rice straw) rope\u003c\/p\u003e\n\u003cp\u003ePeriod: contemporary\u003c\/p\u003e\n\u003cp\u003eThis Sekimori is presented in a paulownia wood protective box, the lid of which can serve as a display stand, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be provided).\u003c!-- notionvc: e910385e-369f-4e29-aed7-046212910f8b --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 1a4c0d0c-3663-4ea2-b927-a745e6bb58c9 --\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57272492458324,"sku":"PJ-CH-07-72","price":272.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/N24-sekimori-ishi-tome-ishi-pierre-art-du-seuil-artisanat-japonais-tressage-paille-riz-wara-atelier-ikiwa-1.jpg?v=1790279484"},{"product_id":"pot-a-couvercle-en-ceramique-et-glacure-cuivre-de-latelier-tokinoha","title":"Ceramic lidded jar with copper glaze from the Tokinoha studio","description":"\u003cp data-end=\"381\" data-start=\"67\"\u003eThis Japanese lidded jar is perfect for the kitchen, on a table, or as a lovely decorative object. Its slender conical silhouette and deep blue glaze provide a refined presence, in the spirit of Kyoto’s Japanese ceramics.\u003c\/p\u003e\n\u003cp data-end=\"902\" data-start=\"383\"\u003e\u003cstrong data-end=\"399\" data-start=\"383\"\u003eThe ceramist\u003c\/strong\u003e\u003cbr data-end=\"402\" data-start=\"399\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that bridges traditional craftsmanship and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003erenowned \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramists, reflect a focus on simplicity and texture, seeking to express the beauty of everyday life through pure, balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong data-end=\"932\" data-start=\"904\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"935\" data-start=\"932\"\u003eThis lidded jar is covered in a copper glaze that, when fired, develops a deep blue punctuated by brown and turquoise highlights. This type of glaze, characteristic of the research conducted at the Tokinoha studio, has a slightly granular surface and a subtle sheen resulting from the uneven fusion of copper at high temperatures. Depending on the thickness of the glaze and variations in the firing, the color deepens or lightens, creating the subtle transitions and almost metallic vibration unique to Tokinoha pieces.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eJapan (Kyoto, Kyoto Prefecture)\u003c\/p\u003e\n\u003cp data-end=\"1632\" data-start=\"1570\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1583\" data-start=\"1580\"\u003eDiameter 8 cm - Height 9.5 cm with lid\u003c\/p\u003e\n\u003cp data-end=\"1649\" data-start=\"1634\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1642\" data-start=\"1639\"\u003e257 g\u003c\/p\u003e\n\u003cp data-end=\"1708\" data-start=\"1651\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1663\" data-start=\"1660\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1710\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1720\" data-start=\"1717\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"1959\" data-start=\"1737\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"1760\" data-start=\"1757\"\u003eAfter use, empty any water and allow to air dry, avoiding thermal shock and abrasive products; wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2151\" data-start=\"1961\"\u003eAs each piece is handmade, slight variations in shape, color, or texture may occur compared to the photos, reflecting the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57449198518612,"sku":"CJ-CH-07-54","price":138.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/boite-ceramique-japonaise-bleue-kiyomizu-yaki-tokinoha-serie-cuivre-copper-atelier-ikiwa-4.jpg?v=1791297393"},{"product_id":"assiette-haute-en-ceramique-et-glacure-cuivre-de-latelier-tokinoha","title":"Tokinoha studio ceramic tall plate with copper glaze","description":"\u003cp data-end=\"381\" data-start=\"67\"\u003eA raised plate that sits elegantly on a table to showcase a pastry, for example, or as a decorative piece on which to place a cherished object. Its rounded silhouette and deep blue glaze give it a refined presence, in the spirit of Kyoto Japanese ceramics.\u003c\/p\u003e\n\u003cp data-end=\"902\" data-start=\"383\"\u003e\u003cstrong data-end=\"399\" data-start=\"383\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"402\" data-start=\"399\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself through an approach that connects traditional craftsmanship with contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramicists, bear the mark of reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong data-end=\"932\" data-start=\"904\"\u003eThe technique and finish\u003c\/strong\u003e\u003cbr data-end=\"935\" data-start=\"932\"\u003eThis substantial pedestal plate is covered in a copper glaze that develops a deep blue, punctuated by brown and turquoise highlights, during firing. This type of glaze, characteristic of the research conducted at the Tokinoha studio, features a slightly granular surface and a subtle luster due to the uneven fusion of the copper at high temperatures. Depending on the thickness of the glaze and variations in the kiln, the color densifies or lightens, creating the subtle transitions and almost metallic vibration unique to Tokinoha pieces.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong\u003ePlace of production\u003c\/strong\u003e\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eJapan (Kyoto, Kyoto Prefecture)\u003c\/p\u003e\n\u003cp data-end=\"1632\" data-start=\"1570\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1583\" data-start=\"1580\"\u003eDiameter 14.5 cm - Height 4.7 cm\u003c\/p\u003e\n\u003cp data-end=\"1649\" data-start=\"1634\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1642\" data-start=\"1639\"\u003e463 g\u003c\/p\u003e\n\u003cp data-end=\"1708\" data-start=\"1651\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1663\" data-start=\"1660\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1710\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1720\" data-start=\"1717\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"1959\" data-start=\"1737\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"1760\" data-start=\"1757\"\u003eAfter use, empty any water and allow to air dry, avoiding thermal shock and abrasive products; wipe with a soft cloth. Not suitable for dishwashers, ovens, or microwaves.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2151\" data-start=\"1961\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57450023420244,"sku":"CJ-CH-07-55","price":157.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/assiette-haute-ceramique-japonaise-bleue-kiyomizu-yaki-tokinoha-serie-cuivre-copper-atelier-ikiwa-7.jpg?v=1791298336"},{"product_id":"tasse-en-ceramique-et-glacure-cuivre-de-latelier-tokinoha","title":"Ceramic and copper glaze cup from the Tokinoha workshop","description":"\u003cp data-end=\"381\" data-start=\"67\"\u003eTea or coffee cup with a rounded silhouette and deep blue glaze that lends it a refined presence, in the spirit of Kyoto Japanese ceramics.\u003c\/p\u003e\n\u003cp data-end=\"902\" data-start=\"383\"\u003e\u003cstrong data-end=\"399\" data-start=\"383\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"402\" data-start=\"399\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself through an approach that connects traditional craftsmanship with contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyoto's \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handmade by the studio's ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong data-end=\"932\" data-start=\"904\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"935\" data-start=\"932\"\u003eThis tea or coffee cup is covered in a copper glaze that develops a deep blue hue during firing, punctuated with brown and turquoise highlights. This type of glaze, characteristic of the research conducted at the Tokinoha studio, presents a slightly granular surface and a subtle sheen resulting from the uneven fusion of copper at high temperatures. Depending on the thickness of the glaze and variations in the firing, the color deepens or lightens, creating the subtle transitions and almost metallic vibration unique to Tokinoha pieces.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eJapan (Kyoto, Kyoto Prefecture)\u003c\/p\u003e\n\u003cp data-end=\"1632\" data-start=\"1570\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1583\" data-start=\"1580\"\u003eDiameter 8 cm - Height 5.4 cm with lid\u003c\/p\u003e\n\u003cp data-end=\"1649\" data-start=\"1634\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1642\" data-start=\"1639\"\u003e72 g\u003c\/p\u003e\n\u003cp data-end=\"1708\" data-start=\"1651\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1663\" data-start=\"1660\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1710\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1720\" data-start=\"1717\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"1959\" data-start=\"1737\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"1760\" data-start=\"1757\"\u003eAfter use, empty the water and allow to air dry, avoiding thermal shock and abrasive products; wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2151\" data-start=\"1961\"\u003eAs each piece is handmade, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57450378068308,"sku":"CJ-CH-07-56","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-ronde-ceramique-japonaise-bleue-kiyomizu-yaki-tokinoha-serie-cuivre-copper-atelier-ikiwa-4.jpg?v=1791299568"},{"product_id":"tasse-en-ceramique-et-glacure-cuivre-de-latelier-tokinoha-1","title":"Ceramic cup or vase with copper glaze from the Tokinoha studio","description":"\u003cp data-end=\"381\" data-start=\"67\"\u003eTea cup, coffee cup, or delicate small vase whose slender, tall silhouette and deep blue glaze give it a refined presence, in the spirit of Kyōto Japanese ceramics.\u003c\/p\u003e\n\u003cp data-end=\"902\" data-start=\"383\"\u003e\u003cstrong data-end=\"399\" data-start=\"383\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"402\" data-start=\"399\"\u003eFounded in Kyōto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio stands out for an approach that bridges traditional craftsmanship and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003ecustodians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyōto)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong data-end=\"932\" data-start=\"904\"\u003eThe technique and decoration\u003c\/strong\u003e\u003cbr data-end=\"935\" data-start=\"932\"\u003eThis tea cup, coffee cup, or small vase is covered with a copper glaze that develops a deep blue under firing, punctuated by brown and turquoise highlights. This type of glaze, characteristic of the research conducted at the Tokinoha studio, presents a slightly granular surface and a subtle luster due to the uneven fusion of the copper at high temperatures. Depending on the thickness of the glaze and variations in the firing, the color densifies or lightens, creating the subtle transitions and almost metallic vibration unique to Tokinoha pieces.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eJapan (Kyōto, Kyōto Prefecture)\u003c\/p\u003e\n\u003cp data-end=\"1632\" data-start=\"1570\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1583\" data-start=\"1580\"\u003eDiameter 4.3 cm - Height 9.5 cm with lid\u003c\/p\u003e\n\u003cp data-end=\"1649\" data-start=\"1634\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1642\" data-start=\"1639\"\u003e117 g\u003c\/p\u003e\n\u003cp data-end=\"1708\" data-start=\"1651\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1663\" data-start=\"1660\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1710\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1720\" data-start=\"1717\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"1959\" data-start=\"1737\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"1760\" data-start=\"1757\"\u003eAfter use, empty the water and let it air dry, avoiding thermal shock and abrasive products; wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2151\" data-start=\"1961\"\u003eAs each piece is handmade, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57450892394836,"sku":"CJ-CH-07-57","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-tube-ceramique-japonaise-bleue-kiyomizu-yaki-tokinoha-serie-cuivre-copper-atelier-ikiwa-1.jpg?v=1791303547"},{"product_id":"assiette-a-glacure-de-cendre-de-l-atelier-tokinoha","title":"Ash-glazed plate from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003eA delicate multi-functional plate whose green glaze, nuanced with soft blues, gives great depth to the piece. The darker center catches the light, while the fine brown drips subtly enliven the interior. This Japanese ceramic piece, both balanced and refined, naturally finds its place on a table for everyday use or as a beautiful decorative object.\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe Ceramist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself with an approach that bridges traditional expertise and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramists, bear the mark of reflection on simplicity and texture, seeking to express the beauty of everyday life through pure, balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and Decor\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this plate features an ash glaze (haiyū) that creates this nuanced green which can lean towards a pale blue near the edge. A finely drawn network of crackles (kannyū) covers the surface and enhances the effect of depth. In the center, a slight accumulation of glaze creates a darker tone. The brownish internal drips signal the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of production\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eDiameter 15 cm - Height 1.2 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e222 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic \u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57450922770772,"sku":"CJ-CH-07-41","price":56.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/assiette-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-5.jpg?v=1791304399"},{"product_id":"katakuchi-a-glacure-de-cendre-de-l-atelier-tokinoha","title":"Ash-glazed katakuchi from the Tokinoha studio","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eKatakuchi, a Japanese vessel characterized by its pouring spout, it lends itself to multiple uses, at the table as well as around the home. Its green glaze, nuanced with soft blues, offers beautiful depth, while its darker core catches the light and fine brown drips subtly enliven the interior. Balanced and refined, it can be used daily or simply displayed as a decorative object.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that connects traditional craftsmanship with modern design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this katakuchi features an ash glaze (haiyū) giving it this nuanced green that can lean toward a pale blue near the rim. The finely drawn network of crackles (kannyū) covers the surface and enhances the effect of depth. In the center, a slight accumulation of glaze creates a darker tone. The browned internal drips signal the fusion of the glaze and the presence of natural oxides derived from the earth and the ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eLength 7 cm - Width 5.5 cm - Height 11 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e228 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic \u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty the water and let it air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwashers, ovens, or microwaves.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is handmade, slight variations in shape, shade, or texture may appear compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57450993746260,"sku":"CJ-CH-07-51","price":118.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tokkuri-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-4.jpg?v=1791305402"},{"product_id":"bol-a-glacure-de-cendre-de-l-atelier-tokinoha-copie","title":"Ash-glazed bowl from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eJapanese ceramic bowl with beautiful curves and a green glaze, nuanced with soft blues, offering great depth, while its darker heart catches the light and fine brown drippings subtly animate the interior. Balanced and refined, it can be used daily or simply displayed as a decorative object.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself with an approach that bridges traditional craftsmanship and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of the everyday through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this bowl features an ash glaze (haiyū) that provides this nuanced green, which can lean toward a pale blue near the rim. A finely drawn network of crackles (kannyū) covers the surface and enhances the effect of depth. In the center, a slight accumulation of glaze creates a darker tone. The browned internal drippings indicate the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eLength 15.5 cm - Width 14.5 cm - Height 5.4 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e255 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic \u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, drain any water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57452858736980,"sku":"CJ-CH-07-53","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/bol-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-5.jpg?v=1791315644"},{"product_id":"tasse-a-glacure-de-cendre-de-l-atelier-tokinoha","title":"Ash-glazed cup from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003eJapanese ceramic coffee or tea cup with a green glaze, nuanced with soft blues, offering beautiful depth, while its darker center catches the light and fine brown drips subtly enliven the interior. Balanced and refined, it can be used daily or simply placed as a decorative object.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself through an approach that connects traditional craftsmanship with modern design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's artisans, reflect a focus on simplicity and texture, seeking to express the beauty of the everyday through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this cup features an ash glaze (haiyū) that creates a nuanced green that can lean toward a pale blue near the rim. A finely drawn network of crackles (kannyū) covers the surface and enhances the sense of depth. In the center, a slight accumulation of glaze creates a darker tone. The brownish internal drips signal the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eDiameter 7 cm - Height 7 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e100 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic \u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for the dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57452877152596,"sku":"CJ-CH-07-49","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-tube-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-2.jpg?v=1791316101"},{"product_id":"theiere-kyusu-a-glacure-de-cendre-de-l-atelier-tokinoha","title":"Ash-glazed kyūsu teapot from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003eJapanese yokode kyūsu (side-handled) teapot in ceramic with a green glaze, shaded with soft blues, offering beautiful depth, while its darker core catches the light and fine brown drips subtly animate the interior. Balanced and refined, with a built-in ceramic filter, it can be used daily to prepare tea or infusions. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that bridges traditional craftsmanship and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this kyūsu teapot, crafted with great technical skill and adherence to tradition, features an ash glaze (haiyū) that produces this nuanced green, which can lean toward a pale blue near the rim. A finely drawn network of crackles (kannyū) covers the surface and enhances the effect of depth. In certain areas, a slight accumulation of glaze creates a darker tone. The browned drips indicate the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eLength (including handle) 16 cm - Width 12 cm - Height 9.5 cm. Capacity: 500ml\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e411 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic \u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty the water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is handmade, slight variations in shape, shade, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57452896321876,"sku":"CJ-CH-07-42","price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/ceramique-japonaise-artisanat-contemporain-wabi-sabi-main-atelier-ikiwa-16.jpg?v=1791316839"},{"product_id":"assiette-a-glacure-de-cendre-de-l-atelier-tokinoha-1","title":"Ash-glazed bowl from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003eLarge Japanese ceramic bowl with beautiful curves and a green glaze, nuanced with soft blues, offering great depth, while its darker core catches the light and fine brown drippings subtly enliven the interior. \u003cmeta charset=\"utf-8\"\u003eThis piece, both balanced and refined, naturally finds its place on a table for everyday use or as a beautiful decorative object.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that bridges traditional craftsmanship and contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of the everyday through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA piece of glazed Japanese ceramic, this bowl features an ash glaze (haiyū) that creates this nuanced green which can lean towards a pale blue near the rim. The finely drawn network of cracks (kannyū) covers the surface and enhances the effect of depth. In certain areas, a slight accumulation of glaze creates a darker tone. The browned drippings indicate the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of production\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eDiameter 22 cm - Height 4.5 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e396 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57452966281556,"sku":"CJ-CH-07-52","price":157.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/grand-bol-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-7.jpg?v=1791318104"},{"product_id":"tasse-a-glacure-de-cendre-de-l-atelier-tokinoha-1","title":"Ash glaze cup from the Tokinoha workshop","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003eJapanese ceramic coffee or tea cup with a green glaze, nuanced with soft blues, offering beautiful depth, while its darker center catches the light and fine brown drippings subtly enliven the interior. Balanced and refined, it can be used daily or simply placed as a decorative object.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe ceramist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that connects traditional craftsmanship with contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003etradition \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyoto's \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decor\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this cup features an ash glaze (haiyū) giving it this nuanced green that can lean toward pale blue near the rim. The finely drawn network of cracks (kannyū) covers the surface and enhances the depth effect. In the center, a slight accumulation of glaze creates a darker tone. The brownish internal drippings signal the melting of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eDiameter 8 cm - Height 5.4 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e116 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, empty the water and let it air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57453026083156,"sku":"CJ-CH-07-50","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-2.jpg?v=1791318965"},{"product_id":"assiette-mamezara-a-glacure-de-cendre-de-l-atelier-tokinoha","title":"Tokinoha workshop ash-glazed Mamezara plate","description":"\u003cp data-end=\"553\" data-start=\"67\"\u003e\u003cmeta charset=\"utf-8\"\u003eMamezara plate (small plate intended for small portions and side dishes) in Japanese ceramic with a green glaze, nuanced with soft blues, offering beautiful depth, while its darker center captures the light and fine brown drippings subtly enliven the interior. Balanced, refined, heavy, and dense, it can be used daily, as an incense holder, to present a small pastry or object, or simply placed as a decorative piece.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1072\" data-start=\"555\"\u003e\u003cstrong data-end=\"571\" data-start=\"555\"\u003eThe Ceramist\u003c\/strong\u003e\u003cbr data-end=\"574\" data-start=\"571\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that connects traditional craftsmanship with contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's ceramists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of the everyday through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong data-end=\"1102\" data-start=\"1074\"\u003eTechnique and decor\u003c\/strong\u003e\u003cbr data-end=\"1105\" data-start=\"1102\"\u003eA glazed Japanese ceramic piece, this mamezara plate features an ash glaze (haiyū) that gives it this nuanced green, which can lean toward pale blue near the edge. The finely drawn network of crackles (kannyū) covers the surface and enhances the effect of depth. In the center, a slight accumulation of glaze creates a darker tone. The burnished internal drippings signal the fusion of the glaze and the presence of natural oxides from the clay and ash.\u003c\/p\u003e\n\u003cp data-end=\"1778\" data-start=\"1074\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1831\" data-start=\"1828\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1846\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1859\" data-start=\"1856\"\u003eDiameter 8 cm - Height 0.8 cm\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1891\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1899\" data-start=\"1896\"\u003e153 g\u003c\/p\u003e\n\u003cp data-end=\"1978\" data-start=\"1907\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1919\" data-start=\"1916\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"2003\" data-start=\"1980\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1990\" data-start=\"1987\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"2210\" data-start=\"2005\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"2028\" data-start=\"2025\"\u003eAfter use, drain any water and let it air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Do not use in the dishwasher, oven, or microwave.\u003c\/p\u003e\n\u003cp data-end=\"2402\" data-start=\"2212\"\u003eAs each piece is created by hand, slight variations in shape, color, or texture may appear compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57453041221972,"sku":"CJ-CH-07-40","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/mamezara-assiette-ceramique-japonaise-verte-kiyomizu-yaki-tokinoha-serie-ash-cendre-atelier-ikiwa-2.jpg?v=1791319607"},{"product_id":"bol-en-ceramique-et-glacure-cuivre-de-latelier-tokinoha","title":"Ceramic bowl with copper glaze from the Tokinoha studio","description":"\u003cp data-end=\"381\" data-start=\"67\"\u003eJapanese ceramic bowl whose organic silhouette and deep blue glaze give it a refined presence, in the spirit of Kyoto ceramics. To be used on a table or as a beautiful decorative object.\u003c\/p\u003e\n\u003cp data-end=\"902\" data-start=\"383\"\u003e\u003cstrong data-end=\"399\" data-start=\"383\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-end=\"402\" data-start=\"399\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that connects traditional expertise with contemporary design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003etradition \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyoto's \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramicists, reflect a focus on simplicity and texture, seeking to express the beauty of everyday life through pure, balanced forms.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong data-end=\"932\" data-start=\"904\"\u003eThe technique and the glaze\u003c\/strong\u003e\u003cbr data-end=\"935\" data-start=\"932\"\u003eThis bowl is covered in a copper glaze that develops a deep blue, punctuated by brown and turquoise highlights, during firing. This type of glaze, characteristic of the research conducted at the Tokinoha studio, features a slightly granular surface and a subtle luster resulting from the uneven fusion of copper at high temperatures. Depending on the thickness of the glaze and variations in the fire, the color deepens or lightens, creating the subtle transitions and near-metallic vibration unique to Tokinoha pieces.\u003c\/p\u003e\n\u003cp data-end=\"1494\" data-start=\"904\"\u003e\u003cstrong\u003ePlace of manufacture\u003c\/strong\u003e\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eJapan (Kyoto, Kyoto Prefecture)\u003c\/p\u003e\n\u003cp data-end=\"1632\" data-start=\"1570\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr data-end=\"1583\" data-start=\"1580\"\u003eLength 11.5 cm - Width 10 cm - Height 6 cm\u003c\/p\u003e\n\u003cp data-end=\"1649\" data-start=\"1634\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr data-end=\"1642\" data-start=\"1639\"\u003e171 g\u003c\/p\u003e\n\u003cp data-end=\"1708\" data-start=\"1651\"\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003cbr data-end=\"1663\" data-start=\"1660\"\u003eCeramic\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1710\"\u003e\u003cstrong\u003ePeriod\u003c\/strong\u003e\u003cbr data-end=\"1720\" data-start=\"1717\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-end=\"1959\" data-start=\"1737\"\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003cbr data-end=\"1760\" data-start=\"1757\"\u003eAfter use, empty any water and allow to air dry, avoiding thermal shock and abrasive products; wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2151\" data-start=\"1961\"\u003eAs each piece is handmade, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57453614235988,"sku":"CJ-CH-10-01","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/bol-ceramique-japonaise-bleue-kiyomizu-yaki-tokinoha-serie-cuivre-copper-atelier-ikiwa-4.jpg?v=1791322438"},{"product_id":"coupe-bleue-kakugi-de-shu-hirai","title":"Shu Hirai's Kakugi blue bowl","description":"\u003cp\u003e\u003cspan\u003eJapanese ceramic bowl by Shu Hirai, whose generously open shape offers a beautiful volume. Its deep, muted blue spreads across a deliberately irregular, almost mineral surface. Its slightly asymmetrical shape particularly highlights this work of material and the variations of the blue depending on the light. Both a serving piece and a decorative object, it can be used at the table, hold a floral arrangement, or simply be displayed on its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1990 in Nantan, in the Kyoto prefecture, Shu Hirai graduated in 2015 with a master's degree in ceramics from Kyoto Seika University and now works in Kyoto. His path is closely linked to ikebana, which he discovered during his studies and which plays an important role in his reflection on the form and use of his pieces. His work explores the possibilities of materials, glazes, and their layering, with a particular focus on how surfaces absorb and reflect light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThis bowl belongs to Shu Hirai's Kakugi series. After an initial firing, the ceramicist sprays cobalt onto the surface by blowing it through a straw, a process that produces this deep blue with irregular variations. A white glaze is then applied locally with a sponge: during firing, the layering of materials creates the grainy and nuanced surface characteristic of the series. Far from a uniform flat color, the blue is thus built through a multitude of variations in density and texture that give the piece its particular depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of production\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Kyoto)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLength 21 cm - Width 19 cm - Height 6.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e342 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57459495436628,"sku":"CJ-TI-10-036","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/shu-hirai-ceramique-japonaise-assiette-artisanat-poterie-contemporaine-atelier-ikiwa-7.jpg?v=1791372802"},{"product_id":"assiette-kozara-kurogane-de-shu-hirai","title":"Shu Hirai Kurogane Kozara plate","description":"\u003cp\u003e\u003cspan\u003eJapanese ceramic plate by Shu Hirai, whose dark, deeply textured surface evokes ancient iron. Its muted, slightly metallic brown tones vary with the light and accentuate the relief of the material. This kozara, a traditional small plate used in Japanese tableware, is particularly well-suited for small individual portions, side dishes, or Japanese pastries, and can also be used as a decorative object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1990 in Nantan, Kyoto Prefecture, Shu Hirai graduated in 2015 with a master's degree in ceramics from Kyoto Seika University and currently works in Kyoto. His career is closely linked to ikebana, which he discovered during his studies and which plays an important role in his reflection on the form and use of his pieces. His work explores the possibilities of materials, glazes, and their layering, with particular attention paid to how surfaces absorb and reflect light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and Decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThis plate belongs to Shu Hirai's Kurogane series, whose name evokes iron and refers directly to the appearance the ceramist sought to achieve. For this series, he developed his own glaze to recreate the look of ancient iron, a material that inspires his colors and textures. The glaze is applied using techniques such as sponging and brushing, with successive applications that create an irregular, layered surface. The result combines various muted, metallic brown tones, the nuances and relief of which are revealed differently depending on the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Kyoto)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDiameter 12 cm - Height 3 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e118 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, drain any water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is handmade, slight variations in shape, color, or texture may occur compared to the photos, reflecting the unique character of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57461402108244,"sku":"CJ-TI-10-055","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/shu-hirai-ceramique-japonaise-assiette-artisanat-poterie-contemporaine-atelier-ikiwa-3.jpg?v=1791379753"},{"product_id":"bol-en-ceramique-manganese-de-l-atelier-tokinoha","title":"Manganese ceramic bowl from the Tokinoha workshop","description":"\u003cp data-start=\"287\" data-end=\"712\"\u003eThis bowl from the Tokinoha studio features a slender silhouette, the material appearing as if carved from dark rock with a beautiful contrast of glazes. The matte surface, a deep grey with a slight brown tint, reveals subtle nuances and drip marks, as if frozen by the heat of the kiln and softened by the very delicate off-white glazed rim. The piece as a whole radiates a sense of calm and precision, faithful to the sober, contemporary aesthetic of Kyōto's Japanese ceramics.\u003c\/p\u003e\n\u003cp data-start=\"714\" data-end=\"1233\"\u003e\u003cstrong data-start=\"714\" data-end=\"730\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-start=\"730\" data-end=\"733\"\u003eFounded in Kyōto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that bridges traditional craftsmanship and modern design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003etradition \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyōto's \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki)\u003c\/span\u003e. The pieces, handmade by the studio's ceramicists, bear the hallmark of a reflection on simplicity and texture, seeking to express the beauty of daily life through pure and balanced forms.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"2090\"\u003e\u003cstrong data-start=\"1235\" data-end=\"1263\"\u003eTechnique and decor\u003c\/strong\u003e\u003cbr data-start=\"1263\" data-end=\"1266\"\u003eThis bowl is crafted from ceramic using a manganese-rich clay, a natural element that gives the piece its characteristic grey-brown hue. The surface, left intentionally matte, bears witness to a reduction firing that brings out metallic nuances and traces of the fire. Inside, the irregular drips visible under the light are the result of a slight excess of glaze that partially vitrified during firing, creating organic and unpredictable effects. This contrast between the precision of the form and the spontaneity of the decor captures the spirit of Tokinoha: a constant dialogue between mastery and randomness, between the human touch and the natural transformation of the material.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2158\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2118\"\u003ePractical information\u003c\/strong\u003e\u003cbr data-start=\"2118\" data-end=\"2121\"\u003ePlace of manufacture\u003cbr data-start=\"2140\" data-end=\"2143\"\u003eJapan (Kyōto)\u003c\/p\u003e\n\u003cp data-start=\"2160\" data-end=\"2208\"\u003eDimensions\u003cbr data-start=\"2170\" data-end=\"2173\"\u003eDiameter 13.3 cm - Height 5.5 cm\u003c\/p\u003e\n\u003cp data-start=\"2210\" data-end=\"2223\"\u003eWeight\u003cbr data-start=\"2215\" data-end=\"2218\"\u003e162 g\u003c\/p\u003e\n\u003cp data-start=\"2225\" data-end=\"2270\"\u003eMaterials\u003cbr data-start=\"2234\" data-end=\"2237\"\u003eCeramic (manganese clay)\u003c\/p\u003e\n\u003cp data-start=\"2272\" data-end=\"2297\"\u003ePeriod\u003cbr data-start=\"2279\" data-end=\"2282\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-start=\"2299\" data-end=\"2506\"\u003eCare instructions\u003cbr data-start=\"2319\" data-end=\"2322\"\u003eAfter use, empty any liquid and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57461759246676,"sku":"CJ-LA-03-041","price":87.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/bol-ceramique-japonaise-grise-kiyomizu-yaki-tokinoha-serie-manganese-atelier-ikiwa-11.jpg?v=1791381605"},{"product_id":"tasse-en-ceramique-manganese-de-l-atelier-tokinoha","title":"Manganese ceramic cup from the Tokinoha studio","description":"\u003cp data-start=\"287\" data-end=\"712\"\u003eThis coffee or tea cup from the Tokinoha studio features a slender silhouette, with the material appearing as if carved from dark rock in a beautiful contrast of glazes. The matte surface, a deep, slightly brownish gray, reveals subtle nuances and drip marks, as if frozen by the kiln's heat and softened by the delicate, off-white glazed rim. The piece as a whole exudes a sense of calm and rigor, true to the understated and contemporary aesthetic of Japanese ceramics from Kyoto.\u003c\/p\u003e\n\u003cp data-start=\"714\" data-end=\"1233\"\u003e\u003cstrong data-start=\"714\" data-end=\"730\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-start=\"730\" data-end=\"733\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio is distinguished by an approach that connects traditional craftsmanship with modern design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003eKyoto \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki \u003c\/span\u003e\u003cspan\u003etradition)\u003c\/span\u003e. The pieces, handcrafted by the studio's artisans, reflect a thoughtful focus on simplicity and texture, seeking to express the beauty of everyday life through pure, balanced forms.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"2090\"\u003e\u003cstrong data-start=\"1235\" data-end=\"1263\"\u003eTechnique and decor\u003c\/strong\u003e\u003cbr data-start=\"1263\" data-end=\"1266\"\u003eThis cup is crafted from ceramic using a manganese-rich clay, a natural element that gives the piece its characteristic gray-brown hue. The surface, left intentionally matte, bears witness to a reduction firing process that brings out metallic undertones and fire marks. Inside, the irregular drips visible in the light are the result of a slight excess of glaze that partially vitrified during firing, creating organic and unpredictable effects. This contrast between the precision of the form and the spontaneity of the decor captures the spirit of Tokinoha: a constant dialogue between mastery and chance, between the human touch and the natural transformation of the material.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2158\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2118\"\u003ePractical information\u003c\/strong\u003e\u003cbr data-start=\"2118\" data-end=\"2121\"\u003ePlace of manufacture\u003cbr data-start=\"2140\" data-end=\"2143\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-start=\"2160\" data-end=\"2208\"\u003eDimensions\u003cbr data-start=\"2170\" data-end=\"2173\"\u003eDiameter 8.8 cm - Height 7 cm\u003c\/p\u003e\n\u003cp data-start=\"2210\" data-end=\"2223\"\u003eWeight\u003cbr data-start=\"2215\" data-end=\"2218\"\u003e94 g\u003c\/p\u003e\n\u003cp data-start=\"2225\" data-end=\"2270\"\u003eMaterials\u003cbr data-start=\"2234\" data-end=\"2237\"\u003eCeramic (manganese clay)\u003c\/p\u003e\n\u003cp data-start=\"2272\" data-end=\"2297\"\u003ePeriod\u003cbr data-start=\"2279\" data-end=\"2282\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-start=\"2299\" data-end=\"2506\"\u003eCare instructions\u003cbr data-start=\"2319\" data-end=\"2322\"\u003eAfter use, empty any liquid and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57461893955924,"sku":"CJ-LA-03-065","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/bol-ceramique-japonaise-grise-kiyomizu-yaki-tokinoha-serie-manganese-atelier-ikiwa-9.jpg?v=1791382133"},{"product_id":"tasse-en-ceramique-manganese-de-l-atelier-tokinoha-1","title":"Manganese ceramic cup from the Tokinoha workshop","description":"\u003cp data-start=\"287\" data-end=\"712\"\u003eThis coffee or tea cup from the Tokinoha studio features a slender silhouette, with material that appears carved from dark rock in a beautiful display of glazes. The matte surface, a deep, slightly brownish grey, reveals subtle nuances and traces of drips, as if frozen by the heat of the kiln. The piece as a whole exudes an impression of calm and rigor, faithful to the sober, contemporary aesthetic of Kyoto’s Japanese ceramics.\u003c\/p\u003e\n\u003cp data-start=\"714\" data-end=\"1233\"\u003e\u003cstrong data-start=\"714\" data-end=\"730\"\u003eThe ceramicist\u003c\/strong\u003e\u003cbr data-start=\"730\" data-end=\"733\"\u003eFounded in Kyoto by Daisuke and Tomoe Kiyomizu, the Tokinoha studio distinguishes itself through an approach that bridges traditional craftsmanship and modern design \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Daisuke \u003c\/span\u003e\u003cspan\u003eis \u003c\/span\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003edescendant \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003efamous \u003c\/span\u003e\u003cspan\u003eKiyomizu \u003c\/span\u003e\u003cspan\u003efamily, \u003c\/span\u003e\u003cspan\u003eguardians \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003cspan\u003etradition \u003c\/span\u003e\u003cspan\u003eof \u003c\/span\u003e\u003cspan\u003eKyoto’s \u003c\/span\u003e\u003cspan\u003ekiyomizu-yaki.)\u003c\/span\u003e. The pieces, handmade by the studio’s ceramicists, bear the mark of a reflection on simplicity and texture, seeking to express the beauty of everyday life through pure, balanced forms.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"2090\"\u003e\u003cstrong data-start=\"1235\" data-end=\"1263\"\u003eTechnique and decoration\u003c\/strong\u003e\u003cbr data-start=\"1263\" data-end=\"1266\"\u003eThis cup is crafted from ceramic, using a manganese-rich clay, a natural element that gives the piece its characteristic grey-brown hue. The surface, intentionally left matte, testifies to a reduction firing that brings out metallic nuances and traces of the fire. Inside, the irregular drips visible in the light are the result of a slight excess of glaze that partially vitrified during firing, creating organic, unpredictable effects. This contrast between the rigor of the form and the spontaneity of the decoration reflects the spirit of Tokinoha: a constant dialogue between mastery and chance, between the human gesture and the natural transformation of the material.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2158\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2118\"\u003ePractical information\u003c\/strong\u003e\u003cbr data-start=\"2118\" data-end=\"2121\"\u003ePlace of manufacture\u003cbr data-start=\"2140\" data-end=\"2143\"\u003eJapan (Kyoto)\u003c\/p\u003e\n\u003cp data-start=\"2160\" data-end=\"2208\"\u003eDimensions\u003cbr data-start=\"2170\" data-end=\"2173\"\u003eDiameter 8.8 cm - Height 6.5 cm\u003c\/p\u003e\n\u003cp data-start=\"2210\" data-end=\"2223\"\u003eWeight\u003cbr data-start=\"2215\" data-end=\"2218\"\u003e100 g\u003c\/p\u003e\n\u003cp data-start=\"2225\" data-end=\"2270\"\u003eMaterials\u003cbr data-start=\"2234\" data-end=\"2237\"\u003eCeramic (manganese clay)\u003c\/p\u003e\n\u003cp data-start=\"2272\" data-end=\"2297\"\u003ePeriod\u003cbr data-start=\"2279\" data-end=\"2282\"\u003eContemporary\u003c\/p\u003e\n\u003cp data-start=\"2299\" data-end=\"2506\"\u003eCare instructions\u003cbr data-start=\"2319\" data-end=\"2322\"\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57462033973588,"sku":"CJ-LA-03-063","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-ceramique-japonaise-grise-kiyomizu-yaki-tokinoha-serie-manganese-atelier-ikiwa-10.jpg?v=1791382984"},{"product_id":"vase-eguegu-en-porcelaine-de-takao-ito","title":"Takao Ito porcelain Eguegu vase","description":"\u003cp\u003e\u003cspan\u003eJapanese porcelain vase by Takao Ito, the form of which seems to be constructed in successive fragments, like an envelope unfolding around the volume. The overlapping shapes, their irregular contours, and the deliberately jagged opening give the piece an almost sculptural presence. The glaze, a very pale blue slightly tinged with green, alternates between matte surfaces and shinier areas, highlighting the different planes of the porcelain. Designed to hold a few flowers or a branch, the vase also possesses a plastic strength that allows it to stand alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1974 in Aichi Prefecture, Takao Ito trained in ceramics in Tokoname, where he entered the Tokoname Ceramic Art Institute in 1993 before working at Ishidō Tōgei. He became independent in 1998 and set up his studio in the same city, one of the six ancient major historical centers of Japanese ceramics. His work is particularly singular: alongside his functional pieces in porcelain and stoneware, he creates sculptures inspired by dinosaurs, prehistoric animals, and deep-sea creatures, a universe to which he dedicates a significant part of his practice. This freedom is reflected in his objects, for which he pursues a presence capable of provoking a reaction when viewed or touched.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThis vase belongs to Eguegu, a series that Takao Ito dedicates to his porcelain work. Its surface is enlivened by large, overlapping shapes with irregular contours that extend into the opening of the vase. Sometimes in relief, sometimes almost melted into the wall, they create a succession of planes that transforms the silhouette as one walks around the piece. The opening itself abandons the regular edge of a traditional vase in favor of a fragmented contour that extends this construction work. The very pale blue-green glaze accentuates these differences in material and depth, with variations in shine depending on its thickness and the different surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Tokoname, Aichi Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHeight 14 cm - Diameter 13 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e664 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePorcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not dishwasher, oven, or microwave safe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465120063828,"sku":"CJ-CH-07-15","price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/ceramique-japonaise-artisanat-contemporain-wabi-sabi-main-atelier-ikiwa-5.jpg?v=1791398967"},{"product_id":"tasse-a-cafe-ou-a-the-kohiki-de-noriyuki-furutani","title":"Kohiki cup by Noriyuki Furutani","description":"\u003cp\u003e\u003cspan\u003eJapanese ceramic cup by Noriyuki Furutani, with simple and balanced lines. Under a slightly translucent ivory-white glaze, warmer earthen tones emerge, while a fine network of crackles animates the entire surface. Variations in shade and the subtle traces left by the firing process give each cup a singular character. Its size is suitable for both coffee and tea.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1984 in Shigaraki, Shiga Prefecture, Noriyuki Furutani grew up in a family of potters: his father, Michio Furutani, was a renowned figure in Shigaraki ceramics. A 2005 graduate of the ceramics department at Kyoto Saga University, he went on to train under ceramist Takashi Nakazato. His career has led him to work not only in Japan but also in the United States and Denmark, notably at the Anderson Ranch Arts Center. Now based in Shigaraki, he creates pieces for daily use, drawing inspiration from the ceramic traditions of Karatsu, Korea, and China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and Decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThis cup is made using the kohiki technique, inherited from Korean ceramics and developed in Japan based on Joseon-period models. A dark clay is covered with a white slip before being finished with a transparent glaze, giving the piece its soft white appearance while allowing the nuances of the underlying clay to show through. For Noriyuki Furutani, the kohiki technique is not used to achieve a perfectly uniform surface: variations in the slip and glaze, small irregularities, and the fine network of crackles create a living surface that will evolve with use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Shigaraki, Shiga Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDiameter 7.2 cm - Height 8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e166 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is handmade, slight variations in shape, shade, or texture may occur compared to the photos, reflecting the unique character of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465332072788,"sku":"CJ-LA-10-188","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/noriyuki-furutani-tasse-ceramique-japonaise-kohiki-atelier-ikiwa-7.jpg?v=1791400271"},{"product_id":"vase-semi-toobak-de-seungcheol-roh","title":"Seungcheol Roh's Semi-Toobak Vase","description":"\u003cp\u003e\u003cspan\u003eKorean ceramic vase by Seungcheol Roh, whose very refined form contrasts with a dense and deeply textured surface. The dark brown, almost black in places, reveals undertones of earth and coppery hues that shift with the light. The small opening and continuous curves focus the gaze on the material. Intended for a few flowers or a single branch, the vase can also be displayed on its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA 2005 graduate of the ceramics department at Dankook University, Seungcheol Roh trained notably in wood-firing techniques before working for several years as the head of a ceramic design team. He founded his own studio in 2009 and developed \"Semi-Toobak,\" a line that combines the raw character of Korean buncheong with sober, contemporary forms. Particular attention is paid to the clay and its textures, as well as the lightness of the pieces: despite their dense and rustic appearance, his ceramics are thrown with great finesse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and Decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThis vase belongs to the Semi-Toobak world developed by Seungcheol Roh around buncheong, a Korean ceramic tradition characterized by the use of iron-rich clay and historically associated with various surface treatments. The ceramicist focuses here primarily on its earthy and irregular character, which he contrasts with an extremely simple form. The dark surface is not uniform: a finely granular texture runs across the vase, while brown and coppery tones appear irregularly beneath the black. These variations are not added decorations but arise from the handling of the material and the firing process. The base, left lighter in color, creates a sharp break with the dark surface of the vase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSouth Korea (Icheon)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHeight 11.7 cm - Diameter 7.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e320 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and allow to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465673449812,"sku":"CK-LA-03-075","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/roh-seungcheol-vase-ceramique-coreenne-artisanat-coreen-atelier-ikiwa-10.jpg?v=1791403236"},{"product_id":"petite-tasse-a-the-en-celadon-de-byungseok-shin","title":"Small celadon teacup by Byungseok Shin","description":"\u003cp\u003e\u003cspan\u003eSmall Korean celadon tea cup, with rounded curves and a very soft blue-green hue. Its simple shape gives pride of place to the color of the glaze, while inside, a delicate relief pattern of pear blossoms, punctuated with small red touches, takes shape. In Korea, this type of small cup intended for tea tasting is called a chatjan. Its size allows for serving tea in small quantities and replenishing infusions throughout the tasting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTrained in the ceramics department of Kyung Hee University, Byungseok Shin began his career in Gangjin, one of the major historical centers of Korean celadon. Winner of the Grand Prix at the Korea National Celadon Competition in 2009, he then continued his training in Jingdezhen, China, where he studied ceramics for several years. Now based in Yeongam, in southwestern Korea, he develops work in his Arariyo studio that draws on the great traditions of Korean ceramics while seeking out contemporary forms and decorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThese cups are examples of cheongbaekja, a blue-and-white porcelain obtained by applying a celadon glaze over a white porcelain body. Byungseok Shin specialized in this technique after working with celadon in Gangjin: the whiteness of the clay gives the glaze a particular luminosity and transparency, with that very pale blue-green shade characteristic of his work. The motif visible on the inside is his signature: a stylized pear blossom, created through very shallow, multi-level relief work. The glaze distributes itself differently within these slight hollows and raised areas, gradually revealing the petals through subtle gradients of color. The ceramicist spent several years perfecting this pattern. The small red punctuations provide a discreet contrast to the very soft blue of the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeladon occupies a major place in the history of Korean ceramics. Brought to an exceptional degree of refinement under the Goryeo dynasty (918-1392), it became one of the most iconic expressions of Korean art, notably thanks to its translucent glazes with jade nuances and the development of sanggam, an inlay technique that became a specialty of Goryeo potters. Byungseok Shin's work is part of this heritage while adapting it to contemporary tableware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSouth Korea (Yeongam)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDiameter 6.4 cm - Height 4 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e62 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePorcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and allow to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwashers, ovens, or microwaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is created by hand, slight variations in shape, shade, or texture may occur compared to the photos, testifying to the unique character of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465724928340,"sku":"CK-TI-10-091","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/plateau-bois-paulownia-artisanat-japonais-atelier-ikiwa-2.jpg?v=1791404277"},{"product_id":"boite-a-the-chaire-de-tsubura-kagami","title":"Tsubura Kagami's tea caddy","description":"\u003cp\u003e\u003cspan\u003eSmall chaire (a container for tea in chanoyu) in Japanese ceramic by Tsubura Kagami, in ivory, deep blue, and pale green tones, covered in a fine network of crackles. The floral decoration, free and slightly diffused, and the irregularities of the glaze give it the appearance of an antique ceramic. In the Japanese tea ceremony, the chaire is used to store matcha tea intended for the preparation of koicha, thick tea. With its small size, rich surface, and sculpted ceramic lid, this piece also serves as a delicate decorative object in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1989 in Fujisawa, Kanagawa Prefecture, Tsubura Kagami graduated in 2012 from the ceramics program at Joshibi University of Art and Design. She then worked for four years in a ceramic production studio in Kasama before joining the Tokoname Ceramic Research Center, from which she graduated in 2018. She then established herself as an independent ceramicist in Tokoname. Her work is particularly marked by her interest in antique ceramics and by Annam, a Vietnamese ceramic tradition that she reinterprets in a highly personal way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe technique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTsubura Kagami works here in the spirit of Annam-de, the name given in Japan to ceramics inspired by antique Vietnamese productions. The piece is shaped from red clay and then covered with a white slip. The decoration is then incised into this surface and completed with gosu, a cobalt-based pigment used for blue designs, before the application of an ash glaze and firing. The fluidity of the glaze leads to slight shifts and diffusion of the blue, while firing variations reveal ivory, pale green, and brownish nuances. Far from being sought after as a perfectly regular surface, this combination of drips, crackles, and slightly blended colors contributes fully to the aesthetic of her pieces and their evocation of antique ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Tokoname, Aichi Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDiameter 6 cm - Height 7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e104 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Do not use a dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465766609236,"sku":"CJ-CH-07-26","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/boite-the-chaire-ceramique-japonaise-the-chanoyu-ceremonie-bleue-atelier-ikiwa-2.jpg?v=1791405252"},{"product_id":"tasse-a-the-yunomi-de-tsubura-kagami","title":"Tsubura Kagami yunomi teacup","description":"\u003cp\u003e\u003cspan\u003eSmall Japanese ceramic teacup by Tsubura Kagami, featuring ivory and blue tones delicately blended under a glaze covered in a fine network of crackles. Its small size is particularly well-suited for tea tasting: it allows for small servings and the refreshing of infusions throughout the tasting experience. The irregularities of the glaze, the diffused blue, and the firing marks give this\u003c\/span\u003e\u003cspan\u003e cup a unique presence that evokes antique ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1989 in Fujisawa, Kanagawa Prefecture, Tsubura Kagami graduated in 2012 from the ceramics program at Joshibi University of Art and Design. She then worked for four years in a ceramic production studio in Kasama, before joining the Tokoname Ceramics Research Center, from which she graduated in 2018. She then established herself as an independent ceramicist in Tokoname. Her work is notably marked by her interest in antique ceramics and by Annam, a Vietnamese ceramic tradition that she reinterprets in a highly personal body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe technique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTsubura Kagami creates this cup using the Annam-de style, a Japanese technique inspired by ancient Vietnamese ceramics. The piece is shaped from red clay and then covered in a white slip. The decoration is then incised into this surface and completed with gosu, a cobalt-based pigment used for blue designs, before the application of an ash glaze and firing. The ceramicist draws her motifs directly, without preliminary sketches. During firing, the glaze and the blue pigment diffuse irregularly, creating these soft edges and variations of blue, ivory, and brown. The fine network of crackles and the marks left by the firing process reinforce the antique appearance characteristic of her work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Tokoname, Aichi Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDiameter 6 cm - Height 5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e68 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57465860751700,"sku":"CJ-CH-07-28","price":62.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/tasse-ceramique-japonaise-the-cafe-bleue-atelier-ikiwa-2.jpg?v=1791405875"},{"product_id":"doseur-a-the-chasoku-de-kota-yamaguchi","title":"Chasoku tea scoop by Kota Yamaguchi","description":"\u003cp\u003e\u003cspan\u003eA Japanese ceramic tea scoop by Kota Yamaguchi, the chasoku is used to measure tea leaves, appreciate their shape and quantity, and then slide them into the teapot using a small spatula. Shaped like a long, slightly curved leaf, this piece combines the simplicity of this traditional utensil with one of the characteristic aspects of the ceramicist's work: an exploration of material, the color of the clay, and surface transformations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1982 in Ōbu, Aichi Prefecture, Kota Yamaguchi turned to ceramics after a first career in business. In 2016, he joined the specialized program at the Seto Ceramics School, graduating in 2018, and then continued his training at the Tokoname Ceramic Research Center until 2020, when he became independent. Based in Tokoname, he creates both functional objects and sculptural pieces, paying particular attention to surfaces, textures, and color transformations during firing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and finish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eKota Yamaguchi develops part of his work around dark clays and glazes, seeking variations rather than perfectly uniform colors. He pays close attention to the color of the clay beneath the glaze and the effects produced by their layering. He works notably with a vitreous transparent glaze, which protects the surface while revealing the nuances and texture of the underlying material, as well as with black glazes whose variations can bring out bluish or brownish tones. On this chasoku, the intentionally irregular surface thus reveals a range of grey-black and brown, with a warmer, almost copper-like area in the center. The pronounced relief catches the light differently depending on the orientation of the piece and reinforces its mineral character. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Tokoname, Aichi Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLength 13 cm - Width 4.5 cm - Height 2 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e68 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCeramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, drain any water and leave to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Do not use in dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is created by hand, slight variations in shape, color, or texture may occur compared to the photos, attesting to the unique character of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57466165068116,"sku":"CJ-CH-07-27","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/doseur-a-the-chazutsu-ceramique-japonaise-marron-atelier-ikiwa-4.jpg?v=1791407062"},{"product_id":"vase-iro-nabeshima-a-decor-de-keshi-fleurs-de-pavot-de-imaizumi-imaemon-xii","title":"Iro-Nabeshima vase with Keshi (poppy flower) decoration by Imaizumi Imaemon XII","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis Arita porcelain vase is a creation of the Imaemon workshop under the direction of the 12th generation, led by Imaizumi Imaemon XII (1897–1975), a major figure of 20th-century iro-Nabeshima and heir to a lineage of master ceramicists dating back to the Edo period. Recognized for his mastery of a porcelain tradition once reserved for the lords of the Saga domain, he contributed to its preservation and prominence in Japan. This Shōwa-era vase, adorned with orange-red poppy flowers, testifies to the finesse of the craftsmanship and the elegance of the Imaemon house’s porcelain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1897 in Arita, Saga Prefecture, as Heibei Imaizumi, Imaizumi Imaemon XII (1897–1975) became the twelfth representative of this prestigious lineage in 1948. Heir to know-how developed since the 17th century, he played an essential role in the preservation and recognition of iro-Nabeshima, the technique of which was recognized as an Important Intangible Cultural Property starting in the 1950s. In 1959, he received a commission to create a dinner service for the wedding of Crown Prince Akihito. His excellence in the art of polychrome porcelain earned him the Medal of Honor with Purple Ribbon in 1967, followed by the Order of the Rising Sun in 1972. Committed to passing on this heritage, he founded a museum in 1968 dedicated to antique Imaemon porcelain and Ko-Imari. In 1971, the group for the preservation of iro-Nabeshima techniques was recognized as a holder of an Important Intangible Cultural Property of Japan. His work occupies a major place in the history of 20th-century Japanese porcelain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and Decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIro-Nabeshima is one of the most prestigious traditions in Japanese porcelain. Developed in the 17th century in the kilns of the Nabeshima domain, in present-day Saga Prefecture, this production was intended for feudal lords and high-ranking diplomatic gifts, notably for the Tokugawa shogunate. Unlike Arita porcelain produced for trade, Nabeshima pieces met particularly high requirements for quality, consistency, and decorative refinement. Their aesthetic favored carefully balanced compositions inspired by nature, where white spaces played an integral role in the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe traditional technique combines sometsuke, a cobalt blue decoration painted under a transparent glaze before high-temperature firing, with iro-e, a polychrome decoration created with enamels applied over the glaze and fixed during a second, lower-temperature firing. This combination allows for a play on the depth of the blue and the brightness of the colors, while maintaining great precision in the outlines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eCreated in the Imaemon workshop under the direction of the 12th generation, this vase is a continuation of the techniques and decorative standards passed down by this great porcelain house. The poppy flower (keshi) motif unfolds freely on the white surface of the porcelain. The orange-red flowers, blue-green leaves, and long blue stems compose a remarkably sharp design, whose movement follows the curves of the piece. The restraint of the palette and the space given to white express the characteristic aesthetic of iro-Nabeshima, perpetuated and renewed by the Imaemon house.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Arita, Saga Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePresentation\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe vase is presented in its tomobako (a wooden box made to accompany the work), bearing the artist’s seal and signature as well as the title of the work. The vase is also signed on its base. The tomobako shows some wear consistent with its age, but has perfectly fulfilled its role as protection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHeight 14 cm - Width 13 cm - Depth 13 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e720 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePorcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eShōwa era (1926–1989)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e\u003cbr\u003eVery good condition. \u003cmeta charset=\"utf-8\"\u003eThe tomobako box shows some repairs, testifying to its role in protecting the vase over time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the water and let it air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57467125563732,"sku":"CJ-CH-04-09","price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/vase-ceramique-japonaise-contemporaine-ceramiste-japon-atelier-ikiwa-11.jpg?v=1791409050"},{"product_id":"vase-en-porcelaine-kakiemon-a-decor-de-hanamaru-medaillons-floraux-de-sakaida-kakiemon-xiii","title":"Kakiemon porcelain vase with Hanamaru (floral medallions) decoration by Sakaida Kakiemon XIII","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis small Arita porcelain vase is a creation of the Kakiemon workshop under the direction of the 13th generation, led by Sakaida Kakiemon XIII (1906–1982), one of the great names in 20th-century Japanese porcelain. As heir to a tradition born in the 17th century, the Kakiemon house is celebrated for the refinement of its polychrome decorations, the vibrancy of its colors, and the balance of its compositions. Adorned with delicate floral medallions, this Shōwa-era vase illustrates the elegance and mastery of the skills perpetuated in the workshops of this prestigious lineage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1906 in Arita, Saga Prefecture, as Shibuo Sakaida, Sakaida Kakiemon XIII (1906–1982) succeeded his father in 1963 at the head of one of the oldest and most famous lines of Japanese porcelain makers. Along with his father, Sakaida Kakiemon XII, he played a decisive role in the revival of nigoshide, a milky-white porcelain characteristic of 17th-century Kakiemon creations, the technique for which they successfully reconstructed in 1953. In 1971, nigoshide was recognized as an Important Intangible Cultural Property of Japan, and Sakaida Kakiemon XIII presided over the association responsible for its preservation. His commitment to passing on this heritage earned him the Medal of Honor with Purple Ribbon in 1972, and subsequently the Order of the Rising Sun in 1978. He also renewed traditional motifs by developing compositions inspired by the observation of nature. His work and his leadership at the Kakiemon house helped restore the prestige of this porcelain-making tradition, both in Japan and abroad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and Decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe Kakiemon style appeared in the 17th century in Arita, in present-day Saga Prefecture. It occupies an essential place in the history of Japanese porcelain. Its refined polychrome decorations met with immense success in Europe as early as the Edo period and influenced major European manufactories. Its aesthetic favors balanced compositions, leaving significant space for white surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe iro-e technique, a polychrome decoration created using enamels applied over the glaze and then fixed during a second, lower-temperature firing, allows for the achievement of clear, luminous colors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCrafted in the Kakiemon workshop under the 13th-generation leadership, this vase features a hanamaru design—floral motifs arranged in circular medallions. On the white porcelain, compositions of flowers and foliage follow one another in a palette of orange-red, green, blue, and yellow. The globular shape, topped by a short neck, harmoniously complements this decoration characteristic of the Kakiemon house.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of Manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Arita, Saga Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePresentation\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe vase is presented in its tomobako (a wooden box made to accompany the work), bearing an inscription in the name of Sakaida Kakiemon XIII, a seal, and the name of the work. The vase also bears the Kakiemon signature on its base. The tomobako shows some wear related to its age, but has perfectly fulfilled its protective role.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHeight 10 cm - Diameter 10 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e438 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePorcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eShōwa Era (1926–1989)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e\u003cbr\u003eVery good condition. \u003cmeta charset=\"utf-8\"\u003eThe tomobako box shows some staining and discoloration, testifying to its role in protecting the vase over time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare Instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty any water and allow to air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57477970690388,"sku":"CJ-CH-04-23","price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/vase-ceramique-japonaise-contemporaine-ceramiste-japon-atelier-ikiwa-4.jpg?v=1791463810"},{"product_id":"tasse-en-porcelaine-blanche-de-tsutomu-takeshita","title":"White porcelain cup by Tsutomu Takeshita","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis Japanese porcelain cup by Tsutomu Takeshita combines the delicacy of a white glaze with ivory undertones and a sober form, slightly tapered at the top. Its surface, crisscrossed by a fine network of cracks, reveals variations in texture and transparency under the light. Designed for both coffee and tea, it illustrates the ceramicist's attention to everyday objects, their balance, and the pleasure of using them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe ceramicist\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1986 in Nagano Prefecture, Tsutomu Takeshita studied ceramics at the Tajimi City Pottery Design and Technical Center in Gifu Prefecture, graduating in 2007. He then worked at the Gyokuzan kiln before becoming independent in 2015. He also continued his training under Yasuo Tamaki, a holder of an Intangible Cultural Property title from Gifu Prefecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis work is notably inspired by the white porcelains of the Joseon dynasty in Korea, whose simplicity and warmth of form he admires. He favors objects designed for daily life, in which the sobriety of the design allows the material and function to take center stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnique and decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSeihakuji is a Japanese porcelain with a translucent glaze, the shades of which oscillate between white and a very pale blue. After shaping and a first firing, the piece is coated with a glaze that vitrifies during high-temperature firing. Variations in the thickness of this glaze, as well as its reactions to heat, produce subtle effects of color and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn this cup, the glaze features a network of kannyū, fine cracks that form when the glaze and the porcelain contract at different rates during cooling. These delicate lines, particularly visible under raking light, animate the surface without interrupting its visual softness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cylindrical form, slightly tapered towards the top rim, rests on a small, discreet foot. The shades of the enamel and the variations inherent to the firing process give this piece its unique character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlace of manufacture\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapan (Gifu Prefecture)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHeight 9 cm - Diameter 6.2 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e160 g\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePorcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eContemporary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCare instructions\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter use, empty the liquid and let air dry. Avoid thermal shock and abrasive products. Wipe with a soft cloth. Not suitable for dishwasher, oven, or microwave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs each piece is handcrafted, slight variations in shape, color, or texture may occur compared to the photos, testifying to the unique nature of this artisanal work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atelier Ikiwa","offers":[{"title":"Default Title","offer_id":57478471876948,"sku":"CJ-LA-10-165","price":63.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/files\/plateau-bois-paulownia-artisanat-japonais-atelier-ikiwa-11.jpg?v=1791469506"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/3439\/4039\/collections\/seijaku-carre-ceramique-japonaise-atelier-ikiwa.jpg?v=1791659696","url":"https:\/\/www.atelierikiwa.com\/en\/collections\/seijaku-la-part-du-silence.oembed","provider":"Atelier Ikiwa","version":"1.0","type":"link"}