
















Natsume (Japanese tea caddy) in lacquer and gold, decorated with Setsugekka (snow, moon, cherry blossom) by Ippyōsai
This natsume (the tin in which matcha powder is placed during the Japanese tea ceremony) by the renowned artisan Ippyōsai is a piece of exquisite craftsmanship, where the depth of a mirror-like black urushi lacquer meets a delicate relief decoration in gold, silver, and mother-of-pearl. Highly sought after for his tea utensils, this master of Kyō maki e (Kyoto gold powder decoration) has created a particularly elegant work of rare refinement, perfectly in keeping with the spirit of chanoyu (the way of tea).
The craftsman
This natsume was crafted by Ippyōsai, the name of a lineage of Kyoto maki eshi (lacquerware masters) passed down since the Edo period. Ippyō Eizō, the seventh Ippyōsai, was born in Kyoto in 1942 and is the son of the sixth Ippyōsai. Trained by his father and also by Shimizuya Kōmin (a Kyoto lacquerware master), he assumed the title of seventh Ippyōsai in 2001. Highly esteemed in the world of chanoyu (Japanese lacquerware), he is particularly known for his natsume, whose meticulous execution and decorative quality have established the Ippyōsai firm's reputation among the greatest names in Kyō maki e, and his pieces are highly sought after in the art market.
Decor and techniques
The decoration combines hiramaki e (flat decoration), taka maki e (relief decoration), raden (mother-of-pearl), kin and gin nashiji (sprinkle of gold and silver), Kirigane (cut fragments of gold leaf) and roiro (mirror finish). The motifs are traced with gold powder with great finesse, some are treated in relief, the whole giving the decoration a discreetly sculpted presence. Against the very glossy black background, a large area of very fine silver powdering (gin nashiji) evokes the moon and creates a subtle contrast with the deep black lacquer and the gold powder decoration.
One of the motifs is embellished with tiny raden flecks, whose iridescent reflections lend a subtle, luminous vibrancy to the composition. The whole unfolds around the setsugekka theme (snow, moon, cherry blossom), a classic motif in Japanese culture celebrating the beauty of the seasons. This poetic association, prevalent in Japanese literature and painting, evokes three emblematic manifestations of nature: winter snow, the moon contemplated in autumn, and the ephemeral blossoming of cherry blossoms in spring.
The inside of the lid and cup is entirely treated with nashiji (gold dusting), producing a very elegant luminous effect that contrasts with the depth of the black exterior background.
Form and use
This natsume is a chū natsume (medium-sized natsume), used in the tea ceremony to hold matcha powder for preparing usucha (light tea). This natsume is very light, confirming its quality, as it is made from an extremely thin wooden container.
Presentation
This piece comes with a kiribako (wooden box) signed by the craftsman and closed with a sanadahimo (cord), a tomonuno (cloth) protective cover, and a second cardboard protective box.
Place of manufacture
Japan, Kyoto
Period
Heisei Era (1989 - 2019)
Dimensions
Diameter 7.2 cm - Height 7.5 cm
Weight
Natsume alone: 55 g
Natsume with boxes: 242 g
Materials
Wood, urushi lacquer, maki e (gold powder), raden (mother-of-pearl)
Condition
Very good condition.
KNOW-HOW
Natsume (棗) are small boxes with few variations in shape and dimensions (which are codified), and which are made of Japanese urushi lacquer, welcoming the matcha tea powder during the traditional Japanese tea ceremony (chanoyu and sadō). They are magnificent objects that can be used for tea or superb decorative pieces to collect and to position individually or grouped on a pretty tray or in a display case. Modern productions are more often made of resin and not lacquer, and of molded wood powder or plastic. We only offer authentic traditional natsume in real Japanese urushi lacquer made according to the rules of the art. These objects are rare and precious, they are likely to increase in value. Read our article on natsume >
Traditional Japanese lacquer, urushi, comes from the sap of the lacquer tree (Rhus Verniciflua), which flows after incision of the bark. It is a very precious material, a tree will give a maximum of 200ml of sap in its life, which is worked by specialized craftsmen. It takes many operations, slow and meticulous, and several months of work to bring real lacquer objects to life. It is the oldest craft in Japan! Initially used to protect and waterproof objects, this immutable craft has become an art of extreme sophistication. If you want to know more about the art of Japanese lacquer, you can read our dedicated article > .
DELIVERY
Delivery
Free delivery in mainland France for purchases over €200. Orders are generally dispatched within 2 working days, except in special cases, as indicated in the banner at the top of the website.
Precious items are wrapped in beautiful fabric, beautifully knotted according to the precious Korean art of pojagi. Some exceptions apply, especially if the items are large. Learn more >
Detailed delivery information is available via this link >
Your invoice will be sent by email
Payment methods
By card (Stripe operator): Visa, MasterCard, Discover, American Express.
Secure card payment with 3D Secure.
By PayPal, Apple Pay, Google Pay and Shop Pay
Returns and exchanges
14 days to change your mind.
CARE INSTRUCTIONS
Clean with a very soft cloth to avoid scratches, soaked in a little warm water if necessary (never soak your lacquer objects). No microwave, dishwasher, dryer. Do not expose to direct sunlight for a long time (risk of discoloration). If the atmosphere is very dry and very hot, and to avoid the risk of cracking, you can place a glass filled with water next to your lacquer object.
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The art of wrapping
The exceptional items are wrapped in a beautiful fabric beautifully knotted using the little-known art of Korean pojagi and decorated with a delightful maedup (Korean ornamental knot). Details and conditions >




