Decor and techniques
The shape is born from a precisely executed kurinuki (hollowing): the volume is first carved from the mass, then patiently hollowed out, so that the walls retain their presence while the lid fits precisely. Next comes the washi zome (stencil), applied on the almost dry clay: washi paper masks guide the application of the gosu (cobalt) according to the principle of sometsuke (underglaze blue), which gives the petals these velvety flat tints with edges naturally softened by the fibers; the veins and hearts of the flowers, taken up with a more sustained brush, bring an additional density to the decoration. A translucent glaze unites the whole, preserves the clarity of the white and gives depth to the blue.
Form and use
The box is square, with discreetly softened angles, with a very slightly curved lid whose line calmly accompanies the volume; designed for the presentation of wagashi (confectionery) during the tea ceremony, it highlights the regularity of the pattern which crosses the junction between the lid and the body and is found inside, in a clear manner. Its proportions and dimensions give it a strong visual presence, and it is perfectly suited to contemporary decorative and practical use.
The craftsman
Katsumi Eguchi (Saga, Kyūshu, 1936), a full member of the Japan Kōgei Association, formalized the use of washi zome in ceramics while developing kurinuki pieces; his work, particularly on porcelain, was recognized in 1994 by Saga Prefecture as an Important Intangible Cultural Property for “washi dyeing for ceramic decoration.” Regularly selected and awarded prizes at the Japan Traditional Craft Exhibition, he has received the Asahi Prize, the Prime Minister’s Prize at the West Japan Ceramic Art Exhibition, and the Japan Ceramic Society Prize (1985). In May 2024, the Kyūshū Prefectural Ceramic Museum (Arita) dedicated a special exhibition to him for his 88th birthday, retracing seventy years of creation; his studio is located in Takeo, Saga.
Authenticity and presentation
The piece is signed by the artisan under the base. It is presented in nijū-bako (double casing): a red lacquered box closed by a sanadāhimo (cord), then a kiribako (paulownia) box bearing the name of the work, the signature and the seal of the artisan, also closed by a sanadāhimo.
Place of manufacture
Japan, Saga Prefecture, Takeo City.
Dimensions
Height 9 cm, width 12.5 cm, depth 12.5 cm.
Weight
Together about 2.5 kg.
Materials
Porcelain, cobalt gosu, translucent glaze
State
Very good condition.
