Sekimori en paille de riz wara, pierre gardienne tressée à la main par Eri Sakaguchi – Atelier Ikiwa

Pierre Sekimori WARA en paille de riz, symbole d’harmonie et de chaleur naturelle – Atelier Ikiwa

Détail d’un tressage de paille de riz sur pierre Sekimori, création japonaise WARA – Atelier Ikiwa

Sekimori-ishi contemporain en paille de riz, inspiré de la tradition des shimenawa – Atelier Ikiwa

Pierre gardienne Sekimori en wara, réalisée à la main dans la tradition japonaise – Atelier Ikiwa

Tressage délicat de paille de riz autour d’une pierre Sekimori WARA, entre nature et silence – Atelier Ikiwa

Sekimori en paille de riz, pierre gardienne du Japon réinterprétée par Eri Sakaguchi – Atelier Ikiwa

Sekimori #6, stone and rice straw rope (wara)

Name: Sekimori #6, stone and rice straw rope (wara)
Brand: Atelier Ikiwa
SKU: PJ-SE-09-37-A
Price: 248.00 EUR
Availability: InStock

€248,00

The sekimori-ishi, or guardian stone, originated in Japanese tea gardens during the time of Sen no Rikyū, the founding master of the tea ceremony, in the 16th century. Placed at the entrance to a space, it invites one to pause before crossing the threshold, a gesture of restraint and respect. This sekimori of Eri (WARA), with its polished stone and rice straw rope (wara), embodies ma (interval) and yohaku (beauty of emptiness), two essential notions of Japanese aesthetics evoking the space between things, the silence that gives meaning to presence. In a cherished place, this stone becomes a beacon of calm, a breath of fresh air in the everyday.

The artist

Eri lives and works in Shizuoka Prefecture. In 2020, moved by the meditative dimension of contact with rice straw, she began weaving ropes inspired by shimenawa, the sacred ropes of Shinto shrines marking the boundary between the sacred and the ordinary, and founded her brand, WARA. Her work explores the link between material, ritual, and interiority, in an approach where each gesture becomes an act of consciousness. Through the braiding of shimenawa and the creation of sekimori, she weaves a dialogue between past and present, extending an aesthetic of ma and yohaku, where beauty is born from silence, emptiness, and the precision of gesture.

The technique and the decor

The stone, chosen by Eri on the Shizuoka coastline, was selected for the balance of its shape and the smoothness of its surface, naturally polished by the sea. It is wrapped in a wara (rice straw) rope, braided entirely by hand using the same technique as the shimenawa of Shinto shrines. Wara, made from carefully dried, beaten, and combed rice straw, has a structured yet soft fiber, with a natural and warm feel. Used since ancient times in Shinto rituals and seasonal practices, its matte texture and golden hue, which evoke the warmth of everyday life and the rhythm of the seasons, give the whole a peaceful presence, imbued with balance and simplicity.

This sekimori is a unique piece, the stone having been chosen for its singularity and the braiding bearing the mark of the artist's gesture.

Practical information

Place of Creation: Shizuoka Prefecture, Japan

Size: Medium (see image with hand for scale)

Dimensions (including rope): Length 10 cm - Width 7 cm - Height 6 cm

Weight (without box): 220 gr

Materials: natural stone, wara rope (rice straw)

Period: contemporary

This Sekimori is presented in a protective paulownia wood box, the lid of which can be used as a presentation base, accompanied by a booklet in Japanese describing the artist's intention (a translation of which will be communicated).

Origin and symbolism

The sekimori-ishi, or tome-ishi, is a stone in Japanese gardens surrounded by a braided rope that invites one to go no further. Neither barrier nor obstacle, it marks the boundary of a space to be preserved. This highly subtle gesture extends the tradition of shimenawa, sacred Shinto ropes demarcating places inhabited by the divine: the stone thus becomes a spiritual threshold, a point of attention in the landscape.

The use of sekimori-ishi dates back to the 16th century, during the time of Sen no Rikyū, in tea gardens called roji ("dew path"). Placed at certain junctions, the stone surrounded by a braided rope gently and restrainedly indicated the boundary of an area not to be crossed. The tome-ishi, its close relative, was used in temples to indicate a closed or reserved area.

These stones express the Japanese philosophy of the threshold: marking the limit without constraining, preserving the tranquility of a place by the mere presence of a sign. If you would like to know more about sekimori and the work of Eri / WARA, you can read our dedicated article > .

DELIVERY

Delivery

Free delivery in mainland France for purchases over €200. Orders are generally dispatched within 2 working days, except in special cases, as indicated in the banner at the top of the website.

Living items (for items priced at €70 or more) are wrapped in beautiful fabric tied using the precious Korean art of pojagi. Some exceptions apply, particularly if the items are large. Learn more >

Detailed delivery information is available via this link >

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Payment methods

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Returns and exchanges

14 days to change your mind.

CARE INSTRUCTIONS

Sekimori stone: Remove dust with a very soft cloth to avoid scratches. Always handle the stone by the stone and not by the rope, never pull on the knot, let it air dry if the rope is wet. For hemp models, the fibers can sometimes shift: simply realign them by gently rolling the rope between your fingers to realign them.

Paulownia wood box: Avoid contact with water. Since the box is unvarnished, it will stain if wet. Do not store it in a hot or humid place. Sudden temperature changes may cause the wood to discolor to brown tones. Store it in stable conditions.